152. 艾米尔·冯·格里奇是20世纪画家。 by Emil von Gerliczy 高清作品[16%]

DO-Emil von Gerliczy - Malerei des 20. Jahrhunderts
图片文件像素:4800 x 3400 px

艾米尔·冯·格里奇是20世纪画家

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(克雷恩1871-1924苏黎世)
两幅:
一个站着农夫和一只公鸡?右下角签名并注明日期:Gerliczy(19)19,在后箱上遗产印章:estate Emil Gerliczy和英文标题,在后箱上层压纸上,约35 x 26厘米,
b)烟斗农民签名并注明日期左下角:Gerliczy(19)19,在后箱上遗产印章:estate Emil Gerliczy和英文标题,在背板上纸上层压,约35 x 26.5厘米,均带有路路通呼叫500

157. 浅草稻田和都灵町节,江户一百个著名地方 - 4853×7200px 高清作品[16%]

AF-Asakusa Ricefields and the Torinomachi Festival, One Hundred Famous Places in Edo

图片文件尺寸 : 4853×7200 px

浅草稻田和都灵町节,江户一百个著名地方-Asakusa Ricefields and the Torinomachi Festival, One Hundred Famous Places in Edo

-Hair adornments and clothes are scattered across a courtesan\'s room. From the window of the room, which is located in the Yoshiwara nightclub district, we see Mount Fuji in front of a setting sun. The adjacent rice fields of Asakusa stretch out in the foreground. Perhaps the cat symbolises a courtesan wistfully gazing out of the window because she was forbidden to leave the quarter.

Asakusa Ricefields and the Torinomachi Festival, One Hundred Famous Places in Edo, 1857 (Woodblock), by Utagawa Hiroshige

158. 由这位著名伦敦制造商制作乔治三世时期精美红木挂钟(约1780年) by Francis Perigal 高清作品[16%]

A fine George III period mahogany hooded wall clock by this eminent London maker (ca. 1780)

材质 :Mahogany veneers on an oak ground to the case. Brass, iron and steel to the movement 尺寸 :67 × 40 × 20 cm Design\\\\u002FDecorative Art

由这位著名伦敦制造商制作乔治三世时期精美红木挂钟(约1780年)-弗朗西斯·佩里加尔

英文名称:A fine George III period mahogany hooded wall clock by this eminent London maker (ca. 1780)-Francis Perigal

160. Jannis Kounelli战后和当代艺术I` by Jannis Kounellis 高清作品[16%]

DO-Jannis Kounellis  - Post-War und Zeitgenössische Kunst I
图片文件像素:4800 x 3400 px

Jannis Kounelli战后和当代艺术I-

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(比雷埃夫斯1936-2017罗马)
无标题,196-62,署名Kounellis J.,纸上打印机墨水,69.5;x;100厘米,镶框

出处:伦敦Galerie Anthony d\'Offay,私人收藏,德国,1993年收购。
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“通过省略自然形式表示,而代之以字母、数字和符号,如箭头或算术符号,这部作品在一定程度上从抽象和超现实主义绘画平面上移除,处于塑性话语和概念话语之间中间阶段。贾斯珀·约翰(Jasper Johns)在同一年字母和数字绘画是相关,但对表面作品各自强调与抽象表现主义绘画传统相当相关:约翰(Jasper Johns)字母和数字被视为图形元素,而非语义元素。

托马斯·麦克埃维利(Thomas Mc Evilley in:Jannis Kounellis,展览猫),芝加哥当代艺术博物馆,1986-87,S.25