19世纪的画家。==参考===外部链接==*官方网站-
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女性肖像,油画,双倍,约69 x 55.5厘米,镶框(SLS)Ruf 400
图片文件尺寸 : 4853×7200 px
浅草稻田和都灵町节,江户一百个著名的地方-Asakusa Ricefields and the Torinomachi Festival, One Hundred Famous Places in Edo
-Hair adornments and clothes are scattered across a courtesan\'s room. From the window of the room, which is located in the Yoshiwara nightclub district, we see Mount Fuji in front of a setting sun. The adjacent rice fields of Asakusa stretch out in the foreground. Perhaps the cat symbolises a courtesan wistfully gazing out of the window because she was forbidden to leave the quarter.
Asakusa Ricefields and the Torinomachi Festival, One Hundred Famous Places in Edo, 1857 (Woodblock), by Utagawa Hiroshige
Jannis Kounelli的战后和当代艺术I-
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(比雷埃夫斯1936-2017罗马)
无标题,196-62,署名Kounellis J.,纸上打印机墨水,69.5;x;100厘米,镶框
出处:伦敦Galerie Anthony d\'Offay,私人收藏,德国,1993年收购。
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“通过省略自然形式的表示,而代之以字母、数字和符号,如箭头或算术符号,这部作品在一定程度上从抽象和超现实主义的绘画平面上移除,处于塑性话语和概念话语之间的中间阶段。贾斯珀·约翰(Jasper Johns)在同一年的字母和数字绘画是相关的,但对表面作品的各自强调与抽象表现主义的绘画传统相当相关:约翰(Jasper Johns)的字母和数字被视为图形元素,而非语义元素。
托马斯·麦克埃维利(Thomas Mc Evilley in:Jannis Kounellis,展览猫),芝加哥当代艺术博物馆,1986-87,S.25