151. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[28%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

153. 一个家庭的肖像，传统上被认为是圣马丁夫妇和他们的两个孩子` Portrait Of A Family, Traditionally Identified As Mr. And Mrs. Saint~Martin With Their Two Children In A Landscape by Nicolas Lancret 高清作品[28%]

` Portrait Of A Family, Traditionally Identified As Mr. And Mrs. Saint`Martin With Their Two Children In A Landscape-

图片文件尺寸: 3600 x 2862px

一个家庭的肖像，传统上被认为是圣马丁夫妇和他们的两个孩子-尼古拉斯·兰克雷特

` Portrait Of A Family, Traditionally Identified As Mr. And Mrs. Saint`Martin With Their Two Children In A Landscape--Nicolas Lancret (法国艺术家, 1690-1743)

154. 树木繁茂的古典景观，人物休息在前景中，沐浴在河中，远处是一座城镇` A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond by John Wootton 高清作品[28%]

~ A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond-

图片文件尺寸: 3480 x 1943px

树木繁茂的古典景观，人物休息在前景中，沐浴在河中，远处是一座城镇-约翰·伍顿

~ A wooded classical landscape with figures resting in the foreground and bathing in the river, a town beyond--John Wootton (English, 1686–1765)

159. 梅森盔甲穹顶盖，镀金青铜叶面装饰，是为唐·路易吉·雷吉奥·布兰奇弗特四世（1677-1757）所做的服务，他在1737年至1740年间被称为坎波弗雷多王子，是西班牙驻威尼斯大使（约1741年） by Meissen Porcelain Manufactory 高清作品[28%]

A Meissen armorial domed cover with gilt-bronze foliate finial from the service given to Don Luigi Reggio e Branciforte IV (1677-1757), known as the Prince of Campoflorido ans Spanish ambassador to Venice between 1737 and 1740 (ca. 1741)

材质 :Hard-paste porcelain 尺寸 :19 × 27 cm Design\\\\u002FDecorative Art

梅森盔甲穹顶盖，镀金青铜叶面装饰，是为唐·路易吉·雷吉奥·布兰奇弗特四世（1677-1757）所做的服务，他在1737年至1740年间被称为坎波弗雷多王子，是西班牙驻威尼斯大使（约1741年）-梅森陶瓷厂(German, b. 1710)

英文名称:A Meissen armorial domed cover with gilt-bronze foliate finial from the service given to Don Luigi Reggio e Branciforte IV (1677-1757), known as the Prince of Campoflorido ans Spanish ambassador to Venice between 1737 and 1740 (ca. 1741)-Meissen Porcelain Manufactory

160. 从侧面可以看到一位年轻女子在公园里散步，传统上被认为是蓬帕杜夫人 - 弗朗索瓦·鲍彻 高清作品[28%]

A young woman, seen in profile, walking in a park, traditionally identified as Madame de Pompadour

  • François Boucher and Studio
  • A young woman, seen in profile, walking in a park, traditionally identified as Madame de Pompadour
  • SOLDsigned and dated in chalk, lower left: f. Boucher / 1752
  • black chalk with stumping and red chalk, heightened with white chalk, with touches of pastel

    • A young woman, seen in profile, walking in a park, traditionally identified as Madame de Pompadour-FRANÇOIS-BOUCHER
    （从侧面可以看到一位年轻女子在公园里散步，传统上被认为是蓬帕杜夫人-弗朗索瓦·鲍彻）

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