151. 文艺复兴时期创造力和科学成就顶峰:带有机械痕迹天球。(c1540-c1550) by Anonymous 高清作品[26%]

The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)

材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other

文艺复兴时期创造力和科学成就顶峰:带有机械痕迹天球。(c1540-c1550)-匿名

英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous

158. 一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年 - A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年 高清作品[26%]

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760
(一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年-A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年)

159. 文艺复兴时期绘画细节(桑德罗·波提切利,1482年维纳斯诞生),1984年 by Andy Warhol 高清作品[26%]

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus 1482), 1984

材质 :Portfolio of four screenprints on Arches Aquarelle (Cold Pressed) paper 尺寸 :81.3 × 111.8 cm Print

图片文件尺寸 : 5630 x 4332px

文艺复兴时期绘画细节(桑德罗·波提切利,1482年维纳斯诞生),1984年-安迪·沃霍尔。(American, 1928–1987)

英文名称:Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus 1482), 1984-Andy Warhol

160. 新古主义桌子,4。第19季度。` by Neoklassizistisches Etagerentischchen, 4. Viertel 19. Jahrhundert 高清作品[26%]

DO-Neoklassizistisches Etagerentischchen, 4. Viertel 19. Jahrhundert - Weihnachtsauktion
图片文件像素:4600 x 3500 px

新古主义桌子,4。第19季度。圣诞节拍卖会-

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黑檀桃花心木框架,带有部分着色不同珍贵木材、现场形状花卉、镀金配件、两个架子、带有嵌入花卉彩绘珐琅壳嵌件板材,高度约75厘米,宽度约41厘米,深度约33厘米,使用痕迹(电话74)电话300