151. 自画像——百年十二秒后的年轻女性(2017年) by Addie Wagenknecht 高清作品[17%]

<a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/04/20220405080928142.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/04/20220405080928142.jpg" alt="Self portrait - as a young woman after a hundred years and 12 seconds (2017) | Available for Sale" /> a>

材质 :IKB dry pigment and resin on canvas 尺寸 :203.2 × 228.6 cm Painting

自画像——百年十二秒后的年轻女性(2017年)-艾迪·文格克内切特

英文名称:Self portrait - as a young woman after a hundred years and 12 seconds (2017) | Available for Sale-Addie Wagenknecht

152. 老虎骑羚羊(有轮廓的梯田)(老虎在形状的基础上攻击羚羊) - 安东尼-路易斯-巴耶(1796-1875)法语 高清作品[16%]

<a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/03/20220309212538599.webp"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/03/20220309212538599.webp" alt="Tigre suprenant une antilope (terrasse avec profil) (Tiger Attacking an Antelope on shaped base)" /> a>

  • ass="LotPage-artistName">
  • ass="LotPage-artistDates">
  • ass="LotPage-pieceTitle">Tigre suprenant une antilope (terrasse avec profil) (Tiger Attacking an Antelope on shaped base)
  • ass="LotPage-signedDate">signed BARYE
  • ass="LotPage-medium">bronze
  • Tigre suprenant une antilope (terrasse avec profil) (Tiger Attacking an Antelope on shaped base)-ANTOINE-LOUIS-BARYE-
    (老虎骑羚羊(有轮廓的梯田)(老虎在形状的基础上攻击羚羊)-安东尼-路易斯-巴耶(1796-1875)法语)

    153. 我的孙子阿奇·卡梅伦,两岁三个月(1865年) by Julia Margaret Cameron 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/02/20220227185530715.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/02/20220227185530715.jpg" alt="My Grandchild, Archie Cameron, Aged Two Years, Three Months (1865)" /> a>

    材质 :Albumen print 尺寸 :21 × 26.7 cm Photography

    我的孙子阿奇·卡梅伦,两岁三个月(1865年)-玛格丽特·卡梅隆(British, 1815–1879)

    英文名称:My Grandchild, Archie Cameron, Aged Two Years, Three Months (1865)-Julia Margaret Cameron

    154. 19世纪《福音》手稿的基础` Oklad rukopisnago Evangeliia XII veka (1849 ~ 1853) by Fedor Grigoryevich Solntsev 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/02/20220204064312971.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/02/20220204064312971.jpg" alt="~ Oklad rukopisnago Evangeliia XII veka (1849 ~ 1853) -" /> a>

    图片文件尺寸: 4840 x 6663px

    19世纪《福音》手稿的基础-费多格里戈里耶维奇

    ~ Oklad rukopisnago Evangeliia XII veka (1849 ~ 1853) --Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)

    155. 来自的Oberon和Titania仲夏夜中国第四幕第一场` Oberon and Titania from ;A Midsummer Nights Dream, Act IV, Scene i (1806) by Thomas Stothard 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/02/20220131170016213.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/02/20220131170016213.jpg" alt="` Oberon and Titania from ;A Midsummer Nights Dream, Act IV, Scene i (1806) -" /> a>

    图片文件尺寸: 3108 x 3340px

    来自的Oberon和Titania仲夏夜中国第四幕第一场-托马斯·斯托哈德

    ` Oberon and Titania from ;A Midsummer Nights Dream, Act IV, Scene i (1806) --Thomas Stothard (English, 1755-1834)

    156. 来自的Oberon和Titania仲夏夜中国第四幕第一场` Oberon and Titania from A Midsummer Nights Dream, Act IV, Scene i (1806) by Thomas Stothard 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/02/20220205094610547.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/02/20220205094610547.jpg" alt="~ Oberon and Titania from A Midsummer Nights Dream, Act IV, Scene i (1806) -" /> a>

    图片文件尺寸: 3108 x 3340px

    来自的Oberon和Titania仲夏夜中国第四幕第一场-托马斯·斯托哈德

    ~ Oberon and Titania from A Midsummer Nights Dream, Act IV, Scene i (1806) --Thomas Stothard (English, 1755-1834)

    157. 病毒毒力的分子基础` Molecular basis of viral virulence (1987) by National Institutes of Health 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/02/20220205115300793.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/02/20220205115300793.jpg" alt="~ Molecular basis of viral virulence (1987) -" /> a>

    图片文件尺寸: 1919 x 3015px

    病毒毒力的分子基础-美国国立卫生研究院

    ~ Molecular basis of viral virulence (1987) --National Institutes of Health (美国艺术家, 1887-)

    158. 1975年4月17日,柬埔寨年(2015年) by Roman Uranjek &amp;amp; Radenko Milak 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/03/20220301190716585.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/03/20220301190716585.jpg" alt="April 17, 1975, Year Zero, Cambodia (2015)" /> a>

    材质 :Mixed Media / Collage, watercolor, mixed media on paper 尺寸 :50 × 140 cm Mixed Media

    1975年4月17日,柬埔寨年(2015年)-罗马乌拉杰克公司;拉登科·米拉克

    英文名称:April 17, 1975, Year Zero, Cambodia (2015)-Roman Uranjek &amp; Radenko Milak

    159. Alu Dibond亚克力正面印有“漩涡一”Lambda印花(2020年) by Jens Christian Wittig 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/03/20220302143337422.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/03/20220302143337422.jpg" alt="\'Swirl Zero One\' Lambda Print Mounted on Alu Dibond Acrylic Front (2020) | Available for Sale" /> a>

    材质 :Lambda Print Mounted on Alu Dibond Acrylic Front 尺寸 :91.4 × 91.4 cm Painting

    Alu Dibond亚克力正面印有“漩涡一”Lambda印花(2020年)-我是克里斯蒂安·维蒂格。(German, b. 1962)

    英文名称:\'Swirl Zero One\' Lambda Print Mounted on Alu Dibond Acrylic Front (2020) | Available for Sale-Jens Christian Wittig

    160. 河神泰伯(研究壁画,雪的奇迹,或大圣玛丽亚的基础,罗马的卡尼基尼教堂,佛罗伦萨S.Felista)` The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence) (1589) by Bernardino Poccetti 高清作品[16%]

    <a class="fancybox" href="//minghuafuzhi.com/up/36/23/2022/02/20220201055823319.jpg"> ass="aligncenter" src="//minghuafuzhi.com/up/36/23/2022/02/20220201055823319.jpg" alt="` The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence) (1589) -" /> a>

    图片文件尺寸: 5338 x 4117px

    河神泰伯(研究壁画,雪的奇迹,或大圣玛丽亚的基础,罗马的卡尼基尼教堂,佛罗伦萨S.Felista)-贝纳迪诺·波切蒂

    ` The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence) (1589) --Bernardino Poccetti (Italian, 1548-1612)