156. 除非我们能把这两个人分开——我们重新沉没!以英美联盟为主的二战宣传海报。希特勒和戈培尔是幕后黑手。` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~American alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) 高清作品[19%]

`
Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo`美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

图片文件尺寸: 4821 x 3225px

除非我们能把这两个人分开——我们重新沉没!以英美联盟为主的二战宣传海报。希特勒和戈培尔是幕后黑手。

` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo`美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

157. 除非我们能把这两个人分开——我们重新沉没!以英美联盟为主的二战宣传海报。希特勒和戈培尔是幕后黑手。` Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~American alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) 高清作品[19%]

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Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

图片文件尺寸: 4821 x 3225px

除非我们能把这两个人分开——我们重新沉没!以英美联盟为主的二战宣传海报。希特勒和戈培尔是幕后黑手。

~ Unless we can divide those two fellows – were sunk! World War II propaganda poster focusing on the Anglo~美国艺术家 alliance. Hitler and Goebbels are in the background. (between 1940 and 1946) -

159. 幽灵奥基库凶狠地俯视着青山武士和两名护卫员,中央面板`The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel by Toyohara Kunichika 高清作品[19%]

AF-The ghost Okiku looks balefully down on the Samurai Aoyama and two retainers, central panel

图片文件尺寸: 4032×6000 px

幽灵奥基库凶狠地俯视着青山武士和两名护卫员,中央面板-丰原久一家

-This image relates to the play \'The mansion of plates at Banchō\' as it was performed in Tokyo in 1892. Printed on three sheets of paper, it depicts a ghost appearing before the samurai Aoyama Tessan and his attendants. There are many versions of the story in which, having had his advances rejected by the housemaid Okiku, Aoyama hides an imported 荷兰艺术家 plate and blames her for its loss. Shamed by the accusation, Okiku drowns herself and her distraught ghost returns each night to haunt Aoyama. He is eventually driven mad by her visits. Kunichika has dramatically captured the horror expressed by the men and the serpentine movement of the ghost.