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从17岁起,文化和国防军在华沙的活动-10月31日。1943
~ Kultur und Wehrmacht Veranstaltungen in Warschau vom 17.~31. Okt. 1943 (1943) -
材质 :Impresión digital, papel Photo Rag Baryta Hahnemühle 100% algodón 尺寸 :167.6 × 254 cm Photography
历史课程和资源:从牺牲到跨文化。墨西哥城,阿内奎尔科,莫雷洛斯,1997-2000年,系列:\\“3 Fotoracconti Mexicanos 3 \\”(1997-2000年)-保罗·加斯帕里尼(Venezuelan, b. 1934)
英文名称:Cursos y recursos de la historia: De los sacrificios a la transculturación. Ciudad de México, Anenecuilco, Morelos 1997-2000, de la serie: \\\"3 Fotoracconti mexicanos 3\\\" (1997-2000)-Paolo Gasparini
材质 :Impresión digital, papel Photo Rag Baryta Hahnemühle 100% algodón 尺寸 :66.67 × 100 cm Photography
莫特祖马的预兆:从悲伤的夜晚到混合和重叠的文化。墨西哥城历史中心,2004-2005年,系列:\\“3 Fotoracconti Mexicanos 3 \\”(2004-2005年)-保罗·加斯帕里尼(Venezuelan, b. 1934)
英文名称:Los presagios de Moctezuma: De la Noche Triste a las culturas híbridas y superpuestas. Centro Histórico, Ciudad de México, 2004 -2005, de la serie: \\\"3 Fotoracconti mexicanos 3\\\" (2004-2005)-Paolo Gasparini
材质 :Mixed Media on board, gloss varnish finish 尺寸 :121.9 × 121.9 × 5.1 cm Painting
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“奥黛丽•蒂芙尼”——波普艺术、波普超现实主义、民粹主义、流行文化、名人、现实主义、新表现主义、奥黛丽、赫本、奥黛丽•赫本,2019年-克雷格·艾伦(American, b. 1971)
英文名称:\"Audrey @ Tiffany\'s\" -- pop art, pop surrealism, populus, pop culture, celebrity, realism, neo expressionism, Audrey, Hepburn, Audrey Hepburn, 2019-Craig Alan
图片文件尺寸: 6800×5107 px
管道组合,装饰苏族管道杆,其中一个以水牛追逐为特色-卡特林
-A selection of Indian pipes in “Catlin’s North 美国艺术家 Indian Collection”.
The males amongst the North 美国艺术家 Indians all smoke, using instead of tobacco, several narcotics, such as inner bark of Red Willow, sumach leaves & c. which they call “k’nick-k’neck”, when it is prepared for smoking; to which, when they can get it, they add a small portion of tobacco.
Each man manufactures his own pipe, the bowl of which is generally carved in spar, in marble, stealite or potstone, found in their countries.
Pipes amongst the Am Indians are not only matters of luxury in the hands of all private individuals, where they are always emblems of peace and tendered as friendly salutations; but are kept in all tribes by the chiefs, as instruments for solemnizing Treaties; in which case they are public property considered sacred, and denominated “Calumets”, (or pipe of peace).
Jorgen Gammelgaard Folding stool of steel with yellow nylon seat, 1970 L: 57 cm, H: 40 cm, W: 46 cm Producer: Strutture d\'Interni of Bologna, Italy, under license from Design Forum A/S, Denmark Purchased by Det danske Kunstindustrimuseum 1970 Mus. no. 63/1970 Douglas M. Parker Studio Michael Asher, \"July 18 - October 16, 1976, Ambiente arte, dal futurismo ad oggi, Venice Biennale, Venice, Italy,\" in Benjamin H.D. Buchloh (ed.), Michael Asher, Writings 1973-1983 on Works 1969-1979 (Los Angeles and Halifax: The Museum of Contemporary Art and Press of the Nova Scotia College of Art and Design, 1983): 138-145. Los Angeles, California October 12, 1998 (No. 8), 1998-CHRISTOPHER-WILLIAMS
(Jorgen Gammelgaard钢制折叠凳,带黄色尼龙座椅,1970年长:57厘米,高:40厘米,宽:46厘米生产商:意大利博洛尼亚的Strutture d’Interni,获得丹麦设计论坛A/S的许可证,由Det danske Kunstindustrimuseum于1970年购买。第63/1970号道格拉斯·M·帕克工作室迈克尔·阿舍,“1976年7月18日至10月16日,意大利威尼斯威尼斯双年展未来学家奥吉·阿尔特(Ambiente arte),本杰明·H·D·布赫勒(编辑),迈克尔·阿舍,1973-1983年关于1969-1979年作品的著作(洛杉矶和哈利法克斯:新斯科舍艺术与设计学院当代艺术博物馆和出版社,1983年):138-145。加利福尼亚州洛杉矶1998年10月12日(第8号)-克里斯托弗·威廉姆斯)