模糊搜索找到新古典主义大师安格尔的诞生油画图片- 高清新古典主义大师安格尔的诞生绘画作品- 超清代表作全集名画搜索引擎

151. 《爱的诞生》（1930年构思）这个例子大约在1971年出演，没有终身演员 by Ossip Zadkine 高清作品[34%]

$La Naissance de l\'Amour (The Birth of Love) (Conceived in 1930-this example cast circa 1971. There are no lifetime casts.) | Available for Sale$

材质 :Bronze with black, brown and golden patina 尺寸 :114 × 49 × 39.4 cm Sculpture

《爱的诞生》（1930年构思）这个例子大约在1971年出演，没有终身演员-奥西普·扎德金

英文名称:La Naissance de l\'Amour (The Birth of Love) (Conceived in 1930-this example cast circa 1971. There are no lifetime casts.) | Available for Sale-Ossip Zadkine

152. 安格尔的小提琴，蒙帕纳斯的琪琪`Le Violon d\'Ingres, Kiki de Montparnasse by Man Ray 高清作品[34%]

$AF-Le Violon d\'Ingres, Kiki de Montparnasse$

图片文件尺寸: 3788×5000 px

安格尔的小提琴，蒙帕纳斯的琪琪-曼雷

-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.

153. 一张新古典主义风格的彩绘包裹镀金控制台桌 - 一张新古典主义风格的彩绘包裹镀金控制台桌高清作品[34%]

A NEOCLASSICAL STYLE PAINTED AND PARCEL GILT CONSOLE TABLE-A-NEOCLASSICAL-STYLE-PAINTED-AND-PARCEL-GILT-CONSOLE-TABLE
（一张新古典主义风格的彩绘包裹镀金控制台桌-一张新古典主义风格的彩绘包裹镀金控制台桌）