151. 《紫色焦虑/威胁倍增花园》没有什么隐藏在它的热量/指尖的带宽需求/量子霸权模仿蜜蜂(2020年) by Kirill Savchenkov 高清作品[28%]

full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)

材质 :Mixed media sculpture 尺寸 :63 × 57 × 25 cm Sculpture

《紫色焦虑/威胁倍增花园》没有什么隐藏在它的热量/指尖的带宽需求/量子霸权模仿蜜蜂(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)-Kirill Savchenkov

152. Okapi基本上独居动物,聚集在一起只为了繁殖。(作品描述全称)(2021年) by Julian Irlinger 高清作品[28%]

Okapis are essentially solitary animals, coming together only to breed. (full title in artwork description) (2021) | Available for Sale

材质 :Silver gelatin print, steel frame 尺寸 :55 × 40 cm Photography

Okapi基本上独居动物,聚集在一起只为了繁殖。(作品描述全称)(2021年)-朱利安·埃尔林格(German, b. 1986)

英文名称:Okapis are essentially solitary animals, coming together only to breed. (full title in artwork description) (2021) | Available for Sale-Julian Irlinger

153. 幻影(所有动物和所有野兽的王国我的名字)(2014-2015) by Daniel Steegmann Mangrané 高清作品[28%]

Phantom (Kingdom of all the animals and all the beasts is my name) (2014-2015)

材质 :Oculus Rift virtual reality headset, Unity 3D forest scan, motion capture technology, and custom ceiling grid. 尺寸 :About the work Other

幻影(所有动物和所有野兽的王国我的名字)(2014-2015)-丹尼尔·斯特格曼·曼格朗(Spanish, b. 1977)

英文名称:Phantom (Kingdom of all the animals and all the beasts is my name) (2014-2015)-Daniel Steegmann Mangrané

156. 罗马竞技场和其他罗马纪念碑的古典景观;一幅古典的风景画,人物在湖前休息,远处一座城堡 - -弗兰斯-范-弗劳尔斯-叫奥里佐特 高清作品[28%]

A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond

  • Jan Frans van Bloemen, called l;Orizzonte
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond-JAN-FRANS-VAN-BLOEMEN,-CALLED-L\'ORIZZONTE
    (罗马竞技场和其他罗马纪念碑的古典景观;一幅古典的风景画,人物在湖前休息,远处一座城堡--弗兰斯-范-弗劳尔斯-叫奥里佐特)

    159. 西尔维亚谁,她什么,所有的天鹅都称赞她,1896-1900年`Who Is Sylvia, What Is She, That All the Swains Commend Her, 1896-1900 by Edwin Austin Abbey 高清作品[27%]

    AF-Who Is Sylvia, What Is She, That All the Swains Commend Her, 1896-1900

    图片文件尺寸: 7500×7479 px

    西尔维亚谁,她什么,所有的天鹅都称赞她,1896-1900年-埃德温·奥斯汀修道院

    -Edwin Austin Abbey (1852-1911) was an 美国艺术家 muralist, illustrator, and painter.

    Who Is Sylvia, What Is She, That All the Swains Commend Her, 1896-1900 (Oil on Canvas), by Edwin Austin Abbey

    160. 蓝精灵特里什图布:在这个完美的王国之外,没有任何东西如此沉闷;除了这道乳白色的深渊之外,没有什么东西如此深邃。萨尔加姆、维萨尔加姆和一首副歌。(2020年) by Surendran Nair 高清作品[27%]

    Smuor Trishtubh: Aught there or noughtthere lay beyond this perfect realm so dreary; aught there or noughtthere lay besides this lacteous gulf so profound. Sargam, Visargam, and a refrain. (2020) | Available for Sale

    材质 :Oil on canvas 尺寸 :134.6 × 88.9 cm Painting

    蓝精灵特里什图布:在这个完美的王国之外,没有任何东西如此沉闷;除了这道乳白色的深渊之外,没有什么东西如此深邃。萨尔加姆、维萨尔加姆和一首副歌。(2020年)-苏伦德拉·奈尔

    英文名称:Smuor Trishtubh: Aught there or noughtthere lay beyond this perfect realm so dreary; aught there or noughtthere lay besides this lacteous gulf so profound. Sargam, Visargam, and a refrain. (2020) | Available for Sale-Surendran Nair