153. 中国绘画史》和《现代绘画简史》在洗衣机里洗了两分钟(1987年) by Huang Yong Ping 黄永砯 高清作品[32%]

The History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes, (1987)

材质 :Ink on wooden crate, paper pulp, and glass 尺寸 :76.8 × 48.3 × 69.9 cm Other

中国绘画史》和《现代绘画简史》在洗衣机里洗了两分钟(1987年)-Huang Yong Ping 黄永砯(Chinese, 1954–2019)

英文名称:The History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes, (1987)-Huang Yong Ping 黄永砯

157. 一个拿着烟斗的妓女的肖像(摘自《穿着现代服装的六位不朽诗人》系列)` Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress) (mid 1790s) by Chōbunsai Eishi 高清作品[29%]

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Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress) (mid 1790s) -

图片文件尺寸: 5002 x 7373px

一个拿着烟斗的妓女的肖像(摘自《穿着现代服装的六位不朽诗人》系列)-ōbunsai Eishi

~ Portrait of a Courtesan Holding a Pipe (from the series The Six Immortal Poets in Modern Dress) (mid 1790s) --Chōbunsai Eishi (Japanese, 1756-1829)

158. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[28%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

159. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品` Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) by Strobridge and Co 高清作品[28%]

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Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) -

图片文件尺寸: 1877 x 2844px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》是一部宏大的现实主义作品-斯特罗布里奇公司。

~ Imre Kiralfys grand realistic production, Venice, bride of the sea at Olympia (1891) --Strobridge and Co (美国艺术家, 1910-1954)

160. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[27%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是对女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez