141. 对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年 by objet A.D 高清作品[11%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说,维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情(总是已经失去)的入口;或者,如何使用符号逻辑在迈克尔湾攻击两栖动物,同时在广场工时保持坐姿(否则,就去问爱丽丝……当她十英尺高的时候……),2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

148. 卢卡斯·克兰奇是奥地利1号的年轻模仿者。19的一半。==参考===外部链接==*官方网站` by Lucas Cranach der Jüngere, Österreichischer Nachahmer der 1. Hälfte des 19. Jahrhunderts 高清作品[10%]

DO-Lucas Cranach der Jüngere, Österreichischer Nachahmer der 1. Hälfte des 19. Jahrhunderts - Osterauktion
图片文件像素:4600 x 3500 px

卢卡斯·克兰奇是奥地利1号的年轻模仿者。19的一半。==参考===外部链接==*官方网站-

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(Kronach 1472-1553 Weimar)
恩斯布鲁克教区教堂Grace‘Maria Hilf’的图像,帆布油画,约70 x 56厘米,局部颜色缺陷,修饰,雕刻框架Ruf 700

149. Suma,来自系列对《源氏物语》(Furyu yatsushi Genji)和)的时尚模仿` Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji) (c. 1789~94) by Chōbunsai Eishi 高清作品[10%]

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Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji) (c. 1789~94) -

图片文件尺寸: 2021 x 3000px

Suma,来自系列对《源氏物语》(Furyu yatsushi Genji)和)的时尚模仿-ōbunsai Eishi

~ Suma, from the series A Fashionable Parody of the Tale of Genji (Furyu yatsushi Genji) (c. 1789~94) --Chōbunsai Eishi (Japanese, 1756-1829)