142. 在熊、美洲虎和鳄鱼的家里,三巨头。或者,加州阿罕布拉的奇迹。叛军领袖们在他们的助手们之上盘旋,他们擅长逆向转化。牧师的存活率为50%。与此同时,一些djinn来看看发生什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[21%]

In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate.  Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion.  The priests have a 50 percent survival rate.  Meanwhile, some djinn show up to see what’s going on.  Black and White Jesus in the El Camino appear shocked. (2021)

材质 :Acrylic on canvas 尺寸 :182.9 × 182.9 × 3 cm Painting

在熊、美洲虎和鳄鱼的家里,三巨头。或者,加州阿罕布拉的奇迹。叛军领袖们在他们的助手们之上盘旋,他们擅长逆向转化。牧师的存活率为50%。与此同时,一些djinn来看看发生什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021)-乌马尔·拉希德(两根羽毛)

英文名称:In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate. Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion. The priests have a 50 percent survival rate. Meanwhile, some djinn show up to see what’s going on. Black and White Jesus in the El Camino appear shocked. (2021)-Umar Rashid (Frohawk Two Feathers)

143. 设计一个底座上翅膀图案的烛台,周围环绕着风景优美的奖章` Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion (1501–47) by Perino Del Vaga 高清作品[21%]

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Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion (1501–47) -

图片文件尺寸: 2198 x 4000px

设计一个底座上翅膀图案的烛台,周围环绕着风景优美的奖章-佩里诺·德尔瓦加

~ Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion (1501–47) --Perino Del Vaga (Italian, 1500-1547)

144. 关注需求(嘿,J,很抱歉,我在阅读方面落后,非常抱歉,谢谢你发送图片…我的团队中大约10个人,考虑到每天和每月的目标,我们都是从IT毕业生开始的lol)(2021) by Jordan Halsall 高清作品[21%]

Eyes on demand (Hey J, sorry mortified on how behind I am on readings, thanks for sending the pics thru…. Sup J theres like 10 people on my squad, no where near enough considering daily and monthly targets, we all started as I.T graduates lol) (2021)

材质 :Engraved content moderation logo and iridologist logo on silicon wafer 尺寸 :30 × 60 cm Sculpture

关注需求(嘿,J,很抱歉,我在阅读方面落后,非常抱歉,谢谢你发送图片…我的团队中大约10个人,考虑到每天和每月的目标,我们都是从IT毕业生开始的lol)(2021)-乔丹·哈索尔(Australian, b. 1991)

英文名称:Eyes on demand (Hey J, sorry mortified on how behind I am on readings, thanks for sending the pics thru…. Sup J theres like 10 people on my squad, no where near enough considering daily and monthly targets, we all started as I.T graduates lol) (2021)-Jordan Halsall

145. 美国陆军部报道一部官方电影,里面实战场景,专为战争工作者放映。` War Department Report An official motion picture packed with actual combat scenes–Exclusive showing for war workers. (1943) 高清作品[21%]

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War Department Report An official motion picture packed with actual combat scenes–Exclusive showing for war workers. (1943) -

图片文件尺寸: 2757 x 3954px

美国陆军部报道一部官方电影,里面实战场景,专为战争工作者放映。

` War Department Report An official motion picture packed with actual combat scenes–Exclusive showing for war workers. (1943) -

146. 17世纪的奥德日达·博亚尔斯凯亚。卡夫坦,纳德瓦姆伊已经多年。Obyknovennyi boiarskii kaftan` Odezhda boiarskaia XVII stoletiia. Kaftan, nadevaemyi pod laty. Obyknovennyi boiarskii kaftan (1849 ~ 1853) by Fedor Grigoryevich Solntsev 高清作品[20%]

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Odezhda boiarskaia XVII stoletiia. Kaftan, nadevaemyi pod laty. Obyknovennyi boiarskii kaftan (1849 ~ 1853) -

图片文件尺寸: 4060 x 6176px

17世纪的奥德日达·博亚尔斯凯亚。卡夫坦,纳德瓦姆伊已经多年。Obyknovennyi boiarskii kaftan-费多格里戈里耶维奇

~ Odezhda boiarskaia XVII stoletiia. Kaftan, nadevaemyi pod laty. Obyknovennyi boiarskii kaftan (1849 ~ 1853) --Fedor Grigoryevich Solntsev (Russian, 1801 – 1892)

147. 一个季节,我像橡子一样出生/倒下/我是唯一的一棵树/每个人都离开/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨的脸/一道刺眼的光似乎在诅咒你/是因为我是你吗?”-罗氏(2021) by Marisa Takal 高清作品[20%]

“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale

材质 :Oil on canvas 尺寸 :177.8 × 152.4 cm Painting

一个季节,我像橡子一样出生/倒下/我是唯一的一棵树/每个人都离开/我必须离开你/蓓蕾在我身边长大/我看到一张怨恨的脸/一道刺眼的光似乎在诅咒你/是因为我是你吗?”-罗氏(2021)-玛丽莎·塔卡尔(American, b. 1991)

英文名称:“One season I was born/ Fell down like an acorn/ I am the only tree/ And everybody leaves/ I’ve got to get away from you/ Bud growing up at me/ Resentful face I see/ A harsh light seems to damn you/ Is it because I am you?”-The Roches (2021) | Available for Sale-Marisa Takal

148. 虽然现在离开这个行业,但她一生都在悉尼的三个商业画廊工作过,三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没一个会去看她或关心她,2021。 by Dale Frank 高清作品[20%]

Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021

材质 :Colour and metallic pigments, black aluminium, acrylic in easycast resin, epoxyglass, on perspex 尺寸 :200 × 180 cm Painting

图片文件尺寸 : 5630 x 4332px

虽然现在离开这个行业,但她一生都在悉尼的三个商业画廊工作过,三个孩子,每一个都是来自每个画廊的艺术家,但是哀叹这一事实,而不是三个小狗屎中没一个会去看她或关心她,2021。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Although now left the industry she had worked for three Sydney commercial galleries all her life and had three children, each fathered by an artist from each gallery, but bemoaned the fact than none of the three little shits would visit or cared about her, 2021-Dale Frank

149. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造他希望在世界上看到的那种温柔、创意、相互关联的男性气质。(2019年) by Jamil Hellu 高清作品[20%]

“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造他希望在世界上看到的那种温柔、创意、相互关联的男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu