材质 :Glaze crayon on ceramic vase 尺寸 :25.4 × 12.7 × 12.7 cm Sculpture
A代表一无所有，B代表一大堆胡说八道，C代表废话，D代表下次好运，E代表去你妈的，（2021年）-卡里·莱博维茨（“糖果屁股”）(American, b. 1963)
英文名称:A is for Nothing, B is for a Whole Lot of Nuthin, C is for Crap, D is for Better Luck Next Time, E is for Go Fuck Yourself, (2021)-Cary Leibowitz ("Candy Ass")
A PAIR OF EMPIRE STYLE GILT BRONZE-MOUNTED MAHOGANY DESK CHAIRS, LAST QUARTER 19TH CENTURY-A-PAIR-OF-EMPIRE-STYLE-GILT-BRONZE-MOUNTED-MAHOGANY-DESK-CHAIRS-LAST-QUARTER-19TH-CENTURY
（一对帝国风格的镀金青铜镶嵌红木桌椅，19世纪最后四分之一-一对帝国风格镀金青铜镶嵌红木桌椅——上世纪四分之一——19世纪）
Mona Lisa-Manner-of-Leonardo-da-Vinci-circa-1900
（蒙娜丽莎-莱昂纳多·达·芬奇的风格约1900年）
材质 :Watercolor on paper 尺寸 :25.4 × 35.6 × 0.3 cm Painting
Hiroshige风格的两极爱情（2021）|-X10ba()
英文名称:Bi-polar love in the style of Hiroshige (2021) | Available for Sale-X10ba
材质 :Watercolor on paper 尺寸 :25.4 × 35.6 × 0.3 cm Painting
文艺复兴风格的花盆（2021）|-X10ba()
英文名称:Pot of flowers in the style of the Renaissance (2021) | Available for Sale-X10ba
Timeless Standard-Cory-Arcangel
（永恒的标准-科里·阿坎格尔）
The Gray Door-George-Segal
（灰色的门-乔治·西格尔）
材质 :Marble 尺寸 :27.3 × 13.6 × 12.7 cm Design\\\\u002FDecorative Art
一对新古典主义花瓶（19世纪末的意大利）-无偿的
英文名称:Pair of Neoclassical Vases (Italy-late 19th century ) | Available for Sale-Unattributed
A SET OF FOUR DIRECTOIRE STYLE GILT BRONZE-MOUNTED OSTRICH EGG TRIPODS, NOW FITTED AS LAMPS-A-SET-OF-FOUR-DIRECTOIRE-STYLE-GILT-BRONZE-MOUNTED-OSTRICH-EGG-TRIPODS-NOW-FITTED-AS-LAMPS
（一套四个DIRECTOIRE风格的镀金青铜镶嵌鸵鸟蛋三脚架，现在用作灯具-一套四个导演风格镀金青铜装鸵鸟蛋三脚架现在安装）
图片文件尺寸: 3788×5000 px
安格尔的小提琴，蒙帕纳斯的琪琪-曼雷
-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.