[SEGAL] -- ROBBE-GRILLET, ALAIN. AUTOGRAPH MANUSCRIPT FOR THE SEGAL EXHIBITION, 1990.-[SEGAL]----ROBBE-GRILLET,-ALAIN.-AUTOGRAPH-MANUSCRIPT-FOR-THE-SEGAL-EXHIBITION,-1990.
（[西格尔]——罗比·格里莱，阿兰。西格尔展览的亲笔签名手稿，1990年。-[西格尔]——罗比·格里耶，-阿兰-签名手稿展览，1990年。）

图片文件尺寸: 5075 x 6644px

肖像D安格尔·德拉萨尔-让·约瑟夫·本杰明常数

~ Portrait dAngèle Delasalle (1900) --Jean-Joseph-Benjamin Constant (法国艺术家, 1845 - 1902)

SONNTAG IN TEGERNSEE (SUNDAY IN TEGERNSEE)-AUGUST-MACKE-
（特格尔西周日（特格尔西周日）-AUGUST-MACKE）

材质 :Lithograph 尺寸 :43.1 × 61 cm Print

丁格尔·坦格尔II，1907年-埃米尔·诺德()

英文名称:Tingel-Tangel II, 1907-Emil Nolde

图片文件尺寸: 2777 x 3248px

圣母的名字的花押字，带有通告-奥古斯塔斯·普金

~ Monogram of our Blessed Lady’s Name, with the Annunciation (1846) --Augustus Pugin (English, 1812-1852)

CRYING PORTRAIT OF WILHELMINA AS A RENAISSANCE MADONNA WITH HOLY CHILD (AFTER LEONARDO)-FRANCESCO-VEZZOLI-
（威廉·米娜（WILHELMINA）作为文艺复兴时期圣母玛利亚（MADONNA）和圣婴的哭泣肖像（以莱昂纳多（LEONARDO）的名字命名）-弗朗西斯科·维佐利-）

图片文件尺寸: 3788×5000 px

安格尔的小提琴，蒙帕纳斯的琪琪-曼雷

-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.

图片文件尺寸: 3908 x 5276px

神圣的西弗勒斯，以亚伯拉罕·布劳默特的名字命名-特鲍赫

~ De Heilige Severus, after Abraham Bloemaert (1616 ~ 1624) --Gerard ter Borch (荷兰艺术家, 1617-1681)

图片文件像素：4600 x 3500 px

根据威廉·里克特（1842-1892）的说法，这个名字不详，可能是19世纪末。圣诞节拍卖会-

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与弗朗兹·约瑟夫皇帝和伊丽莎白皇后以及格德勒伯爵吉乌拉·安德拉西（Count Gyula Andrassy）一起的狩猎派对，模糊地标记在左下角，水粉画/水彩覆盖复制图形，约41 x 73.5厘米，晒黑，边缘有部分斑点和撕裂，框定了联阵600

材质 :Mezzotints 尺寸 :41 × 31 cm Print

自由真理，以克劳德·盖莱（Claude Gellée）的名字命名，称为洛兰（1600或1604/05查玛尼——罗马1682年）（1819年）-理查德·厄洛姆(English, 1743–1822)

英文名称:Liber veritatis, after Claude Gellée, called Lorrain (1600 or 1604/05 Chamagne – Rom 1682) (1819)-Richard Earlom