131. 《紫色焦虑/威胁倍增花园》没有什么是隐藏在它的热量/指尖的带宽需求/量子霸权模仿蜜蜂(2020年) by Kirill Savchenkov 高清作品[34%]

e="text-align: center"> ef="//minghuafuzhi.com/up/36/23/2022/03/20220301130109294.jpg"> full down gard<em>e</em>n of purpl<em>e</em> anxi<em>e</em>ty / thr<em>e</em>at multipli<em>e</em>r nothing is hidd<em>e</em>n from its h<em>e</em>at / bandwidth n<em>e</em><em>e</em>ds of fing<em>e</em>rtips / quantum supr<em>e</em>macy mimics b<em>e</em><em>e</em>s (2020)

e="text-align: center">材质 :Mixed media sculpture 尺寸 :63 × 57 × 25 cm Sculpture

e="text-align: center">《紫色焦虑/威胁倍增花园》没有什么是隐藏在它的热量/指尖的带宽需求/量子霸权模仿蜜蜂(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

e="text-align: center">英文名称:full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)-Kirill Savchenkov

132. 东海道的一款妓女棋盘游戏,吉原模仿了53对情侣:冈本的箱根、乌柳野(约1825年) by Keisai Eisen 高清作品[34%]

e="text-align: center"> ef="//minghuafuzhi.com/up/36/23/2022/03/20220304080844162.jpg"> A Tokaido Board Gam<em>e</em> of Court<em>e</em>sans, Yoshiwara Parody of th<em>e</em> Fifty-thr<em>e</em><em>e</em> Pairings: Hakon<em>e</em>, Uryuno of Okamotoya (ca. 1825) | Availabl<em>e</em> for Sal<em>e</em>

e="text-align: center">材质 :Woodblock print 尺寸 :38.9 × 26.1 cm Print

e="text-align: center">东海道的一款妓女棋盘游戏,吉原模仿了53对情侣:冈本的箱根、乌柳野(约1825年)-凯赛·艾森(Japanese, 1790–1848)

e="text-align: center">英文名称:A Tokaido Board Game of Courtesans, Yoshiwara Parody of the Fifty-three Pairings: Hakone, Uryuno of Okamotoya (ca. 1825) | Available for Sale-Keisai Eisen

133. 寓言式的宗教和威尼斯人物,侧翼是一张空的卡切画` Allegorical Figures of Religion and Venice Flanking an Empty Cartouche (1709–87) by Francesco Zugno 高清作品[34%]

e="text-align: center"> ef="//minghuafuzhi.com/up/36/23/2022/02/20220205124751609.jpg"> ~
All<em>e</em>gorical Figur<em>e</em>s of R<em>e</em>ligion and V<em>e</em>nic<em>e</em> Flanking an <em>E</em>mpty Cartouch<em>e</em> (1709–87) -

e="text-align: center">图片文件尺寸: 3700 x 1917px

e="text-align: center">寓言式的宗教和威尼斯人物,侧翼是一张空的卡切画-弗朗西斯科·祖格诺

e="text-align: center">~ Allegorical Figures of Religion and Venice Flanking an Empty Cartouche (1709–87) --Francesco Zugno (Italian, 1709-1787)

136. 东海道的一款妓女棋盘游戏,吉原模仿了53对情侣:石壁、筑屋的三野(约1821-1823年) by Keisai Eisen 高清作品[34%]

e="text-align: center"> ef="//minghuafuzhi.com/up/36/23/2022/03/20220304082049557.jpg"> A Tokaido Board Gam<em>e</em> of Court<em>e</em>sans, Yoshiwara Parody of th<em>e</em> Fifty-thr<em>e</em><em>e</em> Pairings: Ishib<em>e</em>, Miyoshino of th<em>e</em> Tsuruya (ca. 1821-23) | Availabl<em>e</em> for Sal<em>e</em>

e="text-align: center">材质 :Woodblock print 尺寸 :37 × 25.3 cm Print

e="text-align: center">东海道的一款妓女棋盘游戏,吉原模仿了53对情侣:石壁、筑屋的三野(约1821-1823年)-凯赛·艾森(Japanese, 1790–1848)

e="text-align: center">英文名称:A Tokaido Board Game of Courtesans, Yoshiwara Parody of the Fifty-three Pairings: Ishibe, Miyoshino of the Tsuruya (ca. 1821-23) | Available for Sale-Keisai Eisen

137. 用贝壳、花环、树叶、蜗壳和骨灰盒装饰的卡切设计` Design for Cartouches Decorated with Sea~Shells, Garlands, Foliage, Volutes and Urns (1609–60) by After Agostino Mitelli 高清作品[34%]

e="text-align: center"> ef="//minghuafuzhi.com/up/36/23/2022/02/20220206193233299.jpg"> ~
D<em>e</em>sign for Cartouch<em>e</em>s D<em>e</em>corat<em>e</em>d with S<em>e</em>a~Sh<em>e</em>lls, Garlands, Foliag<em>e</em>, Volut<em>e</em>s and Urns (1609–60) -

e="text-align: center">图片文件尺寸: 2268 x 3442px

e="text-align: center">用贝壳、花环、树叶、蜗壳和骨灰盒装饰的卡切设计-在Agostino Mitelli之后

e="text-align: center">~ Design for Cartouches Decorated with Sea~Shells, Garlands, Foliage, Volutes and Urns (1609–60) --After Agostino Mitelli (Italian, 1609-1660)

140. 模仿人造花卉的真花”——毫无疑问,就目前的情况来看,唯一真正的艺术家是园艺家(1974/2018) by William Tillyer 高清作品[34%]

e="text-align: center"> ef="//minghuafuzhi.com/up/36/23/2022/03/20220304195108484.jpg"> \'r<em>e</em>al flow<em>e</em>rs that mimick<em>e</em>d artificial on<em>e</em>s\' - \'unqu<em>e</em>stionably, as matt<em>e</em>rs stand today th<em>e</em> only tru<em>e</em> artists ar<em>e</em> th<em>e</em> horticulturalists.\' (1974/2018) | Availabl<em>e</em> for Sal<em>e</em>

e="text-align: center">材质 :Relief and intaglio printing on Arches paper 尺寸 :65 × 49.5 cm Print

e="text-align: center">“模仿人造花卉的真花”——毫无疑问,就目前的情况来看,唯一真正的艺术家是园艺家(1974/2018)-威廉·蒂利尔(British, b. 1938)

e="text-align: center">英文名称:\'real flowers that mimicked artificial ones\' - \'unquestionably, as matters stand today the only true artists are the horticulturalists.\' (1974/2018) | Available for Sale-William Tillyer