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大骗子的主要艺术-威廉·华莱士·登斯洛

~ The Majic Art of the Great Humbug (1900) --William Wallace Denslow (美国艺术家, 1856 – 1915)

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1755年，维也纳，约瑟夫·哈巴赫。1900年前的主要绘画和印刷品，，微缩画-

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从维也纳郊区的一座小山上俯瞰全景，题为“中午时分奥地利首都维也纳郊区的前景”，注明并注明“约瑟夫·哈巴赫·英格尼厄1755年绘制”，羽毛为黑色，灰色水洗，纸上，旧层压在纸板背衬上，52 x 72厘米，上边缘严重受损，通行证。，框架（Sch）

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Monogramist R.L.，嗯1900，1900年前的主要图纸和印刷品，，-

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一位头发上插着鲜花的年轻女子肖像，为《Jugend》杂志设计，花押字R.L.，日期1899年，纸上粉笔，35 x 28厘米，passep。，镜框（胸罩）

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Jan de Bisschop（Epicopius）直到1900年的主要绘画和印刷品，，微缩画-

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（阿姆斯特丹1628年至1671年海牙）
山丘上有一座堡垒，羽毛棕色，覆盖黑色粉笔，棕色薰衣草红色，手工制作，32.5 x 64厘米，帕塞普。，框架（Sch）

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老约翰·海因里希·布鲁勒1900年前的主要图纸和印刷品、、微缩画-

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（佐利肯/Zürich 1758-1823 Feuerthalen）康斯坦斯湖的马瑙岛，手绘轮廓蚀刻，36 x 52厘米，帕塞普。，（胡）

材质 :Screenprint in encaustic wax and magna on waterford paper 尺寸 :151.1 × 100 cm Print

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对表现主义绘画的反思，1990年-罗伊·利希滕斯坦(American, 1923–1997)

英文名称:Reflections on Expressionist Painting, 1990-Roy Lichtenstein

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凡尔赛的盟军，盟军士兵的各种代表-巴比耶

-George Barbier (1882-1932) was one of the great 法国艺术家 illustrators of the early 20th century.

The Allies in Versailles, Various Representations of Soldiers of the Allies (illustration), by George Barbier

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弹钢琴的女士-卡尔·霍尔斯

` A Lady Playing the Piano--Carl Holsøe (丹麦画家, 1863-1935)

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钢琴旁的女人-皮埃尔·奥古斯特·雷诺阿

~ Woman at the Piano (1875) --Pierre-Auguste Renoir (法国艺术家, 1841-1919)

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钢琴家的左手，1910年-奥古斯特·罗丁

-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
In 1900, the critic Gustave Kahn wrote, \"Rodin is the sculptor of hands, raging, tensed, arched, damned hands\". There is no doubt that Rodin attached more importance to this part of the body than any other. Fascinated by the expressive power of isolated hands, he studied them unceasingly, accumulating in his studio numerous studies in clay or plaster, in which the sensitivity of the modelling vies with the verisimilitude of the gesture.
Through hands, Rodin expresses the full range of human emotions, from anxiety to suffering, from resignation to despair. As revealing as the face, on their own they can sometimes symbolize a form of human activity, such as this Hand of a Pianist which seems to run over an imaginary keyboard with nervous energy.