133. 文艺复兴时期创造力和科学成就顶峰:带有机械痕迹天球。(c1540-c1550) by Anonymous 高清作品[24%]

The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)

材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other

文艺复兴时期创造力和科学成就顶峰:带有机械痕迹天球。(c1540-c1550)-匿名

英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous

135. 两个朋友在点午餐。一个人说:“我想吃汉堡”,然后点了一份。另一个说,“我想吃汉堡”,但他记得,对他来说,有些事情比他在任何特定时刻想吃东西更重要,于是点了别东西。谁是多愁善感者--JSF(2018) by Dasha Shishkin 高清作品[24%]

two friends are ordering lunch. one says, “I am in the mood for a burger”, and orders it. the other says, “I am in the mood for a burger” but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF (2018)

材质 :Mixed media on linen 尺寸 :150 × 130 × 2 cm Painting

两个朋友在点午餐。一个人说:“我想吃汉堡”,然后点了一份。另一个说,“我想吃汉堡”,但他记得,对他来说,有些事情比他在任何特定时刻想吃东西更重要,于是点了别东西。谁是多愁善感者--JSF(2018)-达莎·希施金(Russian, b. 1977)

英文名称:two friends are ordering lunch. one says, “I am in the mood for a burger”, and orders it. the other says, “I am in the mood for a burger” but remembers that there are things more important to him than what he is in the mood for at any given moment, and orders something else. who is the sentimentalist? --JSF (2018)-Dasha Shishkin

140. 一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年 - A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年 高清作品[24%]

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760

A PAIR OF CHINESE EXPORT FAMILLE-ROSE CANDLESTICK FIGURES OF COURT LADIES, QING DYNASTY, QIANLONG PERIOD, CIRCA 1760-A-PAIR-OF-CHINESE-EXPORT-FAMILLE-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-QING-DYNASTY-QIANLONG-PERIOD-CIRCA-1760
(一对中国出口粉彩烛台宫廷女像,清代,乾隆时期,约1760年-A-PAIR-OF-CHINESE-EXPORT-Famile-ROSE-CANDLESTICK-FIGURES-OF-COURT-LADIES-清代-乾隆时期-大约1760年)