133. 1900年,在梳妆台上戴羽毛帽子的半女子`Semi Nude Woman wearing feathered hat at dressing table, 1900 by French Nude Postcard 高清作品[30%]

AF-Semi Nude Woman wearing feathered hat at dressing table, 1900

图片文件尺寸: 3700×6000 px

1900年,在梳妆台上戴羽毛帽子的半女子-法国体明信片

-A 法国艺术家 postcard is a small, postcard-sized piece of cardstock featuring a photograph of a nude or semi-nude woman. Such erotic cards were produced in great volume, primarily in France, in the late 19th and early 20th century. The term was adopted in the United States, where such cards were not legally made.

135. 臭名昭著的西方文化产物(《纽约时报》,2019年10月4日,星期五)(2020年) by Rirkrit Tiravanija & Tomas Vu 高清作品[30%]

The infamous product of Western Culture (The New York Times, Friday, October 4, 2019) (2020)

材质 :Silkscreen on newspaper 尺寸 :56 × 61 cm Drawing, Collage or other Work on Paper

臭名昭著的西方文化产物(《纽约时报》,2019年10月4日,星期五)(2020年)-Rirkrit Tirania&汤玛斯·伍

英文名称:The infamous product of Western Culture (The New York Times, Friday, October 4, 2019) (2020)-Rirkrit Tiravanija & Tomas Vu

136. 《来自西方文化的场景,富有的德国儿童》(Ingibjörg Sigurjónsdóttir)(2015年) by Ragnar Kjartansson 高清作品[30%]

Scenes from Western Culture, Rich German Children (Ingibjörg Sigurjónsdóttir) (2015) | Available for Sale

材质 :Single-channel video 尺寸 :About the work Video\\\\u002FFilm\\\\u002FAnimation

《来自西方文化的场景,富有的德国儿童》(Ingibjörg Sigurjónsdóttir)(2015年)-拉格纳·贾尔坦森(Icelandic, b. 1976)

英文名称:Scenes from Western Culture, Rich German Children (Ingibjörg Sigurjónsdóttir) (2015) | Available for Sale-Ragnar Kjartansson

138. 2015年按创作时期划分的西方艺术市场拍卖结果:5%的老大师、12%的19世纪、47%的现代、25%的战后、11%的当代艺术\\”(2016) by Guy Limone 高清作品[29%]

The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\

材质 :1000 hand painted plastic figures on a thread (scale 1/87th) 尺寸 :303 × 2 cm Sculpture

2015年按创作时期划分的西方艺术市场拍卖结果:5%的老大师、12%的19世纪、47%的现代、25%的战后、11%的当代艺术\\”(2016)-盖伊·莱蒙(French, b. 1958)

英文名称:The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\\" (2016)-Guy Limone