131. 乔治三世吉尔特伍德码头的镜子,由罗伯特·亚当设计,归于约翰·林内尔(约1765年) by John Linnell, Robert Adam 高清作品[19%]

A GEORGE III GILTWOOD PIER MIRROR DESIGNED BY ROBERT ADAM AND ATTRIBUTED TO JOHN LINNELL (ca. 1765)

材质 :Giltwood 尺寸 :180.5 × 100 cm Other

乔治三世吉尔特伍德码头的镜子,由罗伯特·亚当设计,归于约翰·林内尔(约1765年)-约翰·林内尔,罗伯特·亚当(1792–1882)

英文名称:A GEORGE III GILTWOOD PIER MIRROR DESIGNED BY ROBERT ADAM AND ATTRIBUTED TO JOHN LINNELL (ca. 1765)-John Linnell, Robert Adam

132. 阿玛利加德的屋内。卡尔·路德维格·本兹上尉站着,雅各布·克里斯蒂安·本兹博士坐着` Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated (1829) by Wilhelm Bendz 高清作品[19%]

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Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated (1829) -

图片文件尺寸: 5186 x 3454px

阿玛利加德的室内。卡尔·路德维格·本兹上尉站着,雅各布·克里斯蒂安·本兹博士坐着-威廉·本兹

~ Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated (1829) --Wilhelm Bendz (丹麦画家, 1804-1832)

134. 马里诺·马里尼意大利现代派画家伊尔·蒂特罗(Il Teatro)手绘手绘,签名编号,20世纪 by Marino Marini 高清作品[19%]

Marino Marini Italian Modernist Il Teatro Etching Hand Signed and Numbered, 20th Century

材质 :Etching 尺寸 :67.3 × 50.8 cm Print

图片文件尺寸 : 5630 x 4332px

马里诺·马里尼意大利现代派画家伊尔·蒂特罗(Il Teatro)手绘手绘,签名编号,20世纪-马里尼(Italian, 1901–1980)

英文名称:Marino Marini Italian Modernist Il Teatro Etching Hand Signed and Numbered, 20th Century-Marino Marini

138. Talle nge u file nge onghenda noilonga yetu/在我们的劳动期间,向我求助对我仁慈(2021年) by Tuli Mekondjo 高清作品[19%]

Talele nge u file nge onghenda noilonga yetu / Turn to me and have mercy on me during our labour (2021)

材质 :Image transfer, mahangu, resin on canvas, cotton embroidery thread, crochet yarn, silk fabrics, rusted dyed cotton fabrics 尺寸 :99 × 60 cm Textile Arts

Talle nge u file nge onghenda noilonga yetu/在我们的劳动期间,向我求助对我仁慈(2021年)-图利·梅孔乔(Namibian, b. 1982)

英文名称:Talele nge u file nge onghenda noilonga yetu / Turn to me and have mercy on me during our labour (2021)-Tuli Mekondjo

139. 这一切似乎都让我不知所措。颜色太多了。而我只需要一个。但其他人来寻求支持。停留在2022年 by Kristi Kongi 高清作品[19%]

It all seemed to escape me. There were too many colours. While I only needed one. But others came around for support. And stayed, 2022

材质 :Watercolour, gel pen on paper, wooden frame, glass 尺寸 :28 × 24 cm Painting

这一切似乎都让我不知所措。颜色太多了。而我只需要一个。但其他人来寻求支持。停留在2022年-克里斯蒂·孔吉()

英文名称:It all seemed to escape me. There were too many colours. While I only needed one. But others came around for support. And stayed, 2022-Kristi Kongi

140. 赛后车主或培训师在培训师和上骑马与骑师交谈黑客在右边,一个赛马场在比赛后被浇水变得崎岖不平` After the Race; Owner or Trainer Riding and Conversing with Jockey on Trainers Hack; at Right, a Racehouse Being Watered and Rugged after Racing by Samuel Alken 高清作品[19%]

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After the Race; Owner or Trainer Riding and Conversing with Jockey on Trainers Hack; at Right, a Racehouse Being Watered and Rugged after Racing-

图片文件尺寸: 4096 x 2658px

赛后车主或培训师在培训师和上骑马与骑师交谈黑客在右边,一个赛马场在比赛后被浇水变得崎岖不平-塞缪尔·阿尔肯

~ After the Race; Owner or Trainer Riding and Conversing with Jockey on Trainers Hack; at Right, a Racehouse Being Watered and Rugged after Racing--Samuel Alken