约翰·弗里德里希·赫斯(Johann Friedrich Hess)将1900年前的绘画和版画、、微缩画归为“大师”-
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(1641-1673)再见,棕色墨水的羽毛,手工制作的棕色紫菜,底部用棕色羽毛标记,日期为“布拉格1669年的约翰·弗里德里希·赫斯”,9 x 13厘米,旧的安装在底座上,没有通行证。,无框架(Sch)
材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography
佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯
英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu