131. 《悲伤在温柔的空气中》#7(2018) by Han Jin 高清作品[17%] 材质 :Pencil on paper 尺寸 :41 × 33 cm Drawing, Collage or other Work on Paper 《悲伤在温柔的空气中》#7(2018)-韩进(South Korean, b. 1979)英文名称:Was in Sorrow in a Soft Air #7 (2018) | Available for Sale-Han Jin
132. 《悲伤在温柔的空气中》9(2018) by Han Jin 高清作品[17%] 材质 :Pencil on paper 尺寸 :41 × 33 cm Drawing, Collage or other Work on Paper 《悲伤在温柔的空气中》9(2018)-韩进(South Korean, b. 1979)英文名称:Was in Sorrow in a Soft Air #9 (2018) | Available for Sale-Han Jin
133. 《我的爱,我甜蜜的温柔》(2022) by Fadekemi Ogunsanya 高清作品[17%] 材质 :Oil on canvas, acrylic on birch wood frame 尺寸 :131 × 131 cm Painting 《我的爱,我甜蜜的温柔》(2022)-法德凯米·奥古纳英文名称:My Love, My Sweet Tenderness (2022) | Available for Sale-Fadekemi Ogunsanya
134. 帕拉蒂纳特王子查尔斯·路易斯和他的导师沃尔拉德·冯·普莱森身着历史长裙`Prince Charles Louis of the Palatinate with his Tutor Wolrad von Plessen in Historical Dress 高清作品[17%] 图片文件尺寸: 7821×8389 px 帕拉蒂纳特王子查尔斯·路易斯和他的导师沃尔拉德·冯·普莱森身着历史长裙-
135. 梵高椅子的同名改编(1998)(2018) by Niko Luoma 高清作品[17%] 材质 :Archival Pigment Print, Diasec 尺寸 :92 × 73 cm Photography 梵高椅子的同名改编(1998)(2018)-尼科·洛马(Finnish, b. 1970)英文名称:Self-Titled Adaptation of Van Gogh’s Chair (1998) (2018) | Available for Sale-Niko Luoma
136. 在文森特·梵高(1985)之后 by Francis Bacon 高清作品[17%] 材质 :Lithograph 尺寸 :94 × 70.7 cm Print 在文森特·梵高(1985)之后-弗朗西斯·培根英文名称:After Vincent Van Gogh (1985) | Available for Sale-Francis Bacon
137. 文森特·梵高(2016) by Anthony Haden Guest 高清作品[17%] 材质 :Handcolored archival digital print on board 尺寸 :21.6 × 27.9 cm Drawing, Collage or other Work on Paper 文森特·梵高(2016)-安东尼·哈登宾客酒店英文名称:Vincent Van Gogh (2016) | Available for Sale-Anthony Haden Guest
138. 温柔的拥抱` A Tender Embrace by Emile Munier 高清作品[17%] 图片文件尺寸: 3300×4090 px 温柔的拥抱-穆尼尔` ` A Tender Embrace by Emile Munier - A Tender Embrace (oil on canvas), by Emile Munier (1840-1895).
139. 温柔的思想`Tender Thoughts by John William Godward 高清作品[17%] 图片文件尺寸: 3500×7163 px 温柔的思想-约翰·威廉·戈沃德-Tender Thoughts (Oil on Canvas), by John William Godward
140. 温柔的时刻`A Tender Moment by Hans Zatzka 高清作品[17%] 图片文件尺寸: 3923×8000 px 温柔的时刻-查兹卡-A Tender Moment (Oil on Canvas), by Hans Zatzka