137. 约翰·库佩兹基，模仿者（2，老大师）` by Johann Kupezky, Nachahmer (2) 高清作品[20%]

DO-Johann Kupezky, Nachahmer (2) - Alte Meister
图片文件像素：4600 x 3500 px

约翰·库佩兹基，模仿者（2，老大师）-

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两个快乐的年轻人（鲁莽的寓言）；和儿子克里斯托夫·约翰·弗里德里希的自画像，

帆布油画，每幅35.5 x 26厘米，镶框，吊坠（2）

第一幅构图基于库佩兹基1700年左右创作的一幅画（从布拉格纳罗德尼画廊借来，见E.萨法里克、约翰·库佩兹基、格桑特沃克、布尔诺2014，第14页，第1号，图S.88）。第二幅画取材于1730年左右在布伦瑞克赫尔佐格·安东·乌尔里希博物馆创作的一幅画（参见E.Safarik，同前，第56页，第150号，图S.179）

140. 圣母玛利亚和大天使加布里埃尔的《通知》，德累斯顿三联画`The Annunciation, Virgin Mary and Archangel Gabriel, Dresden Triptych by Jan van Eyck 高清作品[20%]

AF-The Annunciation, Virgin Mary and Archangel Gabriel, Dresden Triptych

图片文件尺寸: 6432×12000 px

圣母玛利亚和大天使加布里埃尔的《通知》，德累斯顿三联画-简·范艾克先生

-Jan van Eyck ( 1390-1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art.

The Dresden Triptych (or Virgin and Child with St. Michael and St. Catherine and a Donor, or Triptych of the Virgin and Child) is a very small hinged-triptych altarpiece by the Early Netherlandish.

The paintings of the two outer wings become visible when the triptych is closed. They show the Virgin Mary and Archangel Gabriel in an Annunciation scene painted in grisaille, which because of their near-monochrome colouring give the impression that the figures are sculpted. The three inner panels are set in an ecclesiastical interior. In the central inner panel Mary is seated and holds the Christ Child on her lap. On the left hand wing Archangel Michael presents a kneeling donor, while on the right St. Catherine of Alexandria stands reading a prayer book.

The Annunciation, Virgin Mary and Archangel Gabriel, Dresden Triptych (Oil on Canvas), by Jan van Eyck

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