图片文件尺寸: 2924 x 3660px
达芬,艺术家听起来不错-埃里克·韦伦斯基奥尔德
~ Dagfin, the Artists Son (1899) --Erik Werenskiold (挪威艺术家, 1855 – 1938)
材质 :Copperplate engraving 尺寸 :48 × 52.4 cm Print
\\“法基尔的各种寺庙和忏悔”(Diverses Pagodes and Penicienses des Faquirs)出自《偶像崇拜民族的仪式和宗教习俗》(1729年)-阿姆斯特丹
英文名称:\\\"Diverses Pagodes et Penitences des Faquirs\\\" (\\\"Various Temples and Penances of the Fa- kirs\\\"), from Ceremonies et coutumes religieuses des Peuples ldolatres (Ceremonies and Religious Customs of the Idolatrous Peoples) (1729)-Amsterdam
材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography
佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特是一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上是女性。(2018年)-Jamil灯
英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu