121. 有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年 by Rowan Smith 高清作品[20%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

122. 《来自西方文化场景,富有德国儿童》(Ingibjörg Sigurjónsdóttir)(2015年) by Ragnar Kjartansson 高清作品[20%]

Scenes from Western Culture, Rich German Children (Ingibjörg Sigurjónsdóttir) (2015) | Available for Sale

材质 :Single-channel video 尺寸 :About the work Video\\\\u002FFilm\\\\u002FAnimation

《来自西方文化场景,富有德国儿童》(Ingibjörg Sigurjónsdóttir)(2015年)-拉格纳·贾尔坦森(Icelandic, b. 1976)

英文名称:Scenes from Western Culture, Rich German Children (Ingibjörg Sigurjónsdóttir) (2015) | Available for Sale-Ragnar Kjartansson

123. 2015年按创作时期划分西方艺术市场拍卖结果:5%老大师、12%19世纪、47%现代、25%战后、11%当代艺术\\”(2016) by Guy Limone 高清作品[20%]

The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\

材质 :1000 hand painted plastic figures on a thread (scale 1/87th) 尺寸 :303 × 2 cm Sculpture

2015年按创作时期划分西方艺术市场拍卖结果:5%老大师、12%19世纪、47%现代、25%战后、11%当代艺术\\”(2016)-盖伊·莱蒙(French, b. 1958)

英文名称:The outcome of western art market auctions by period of creations in 2015: 5% Old Masters, 12% 19th century, 47% Modern, 25% Post-war, 11% Contemporary art\\\" (2016)-Guy Limone

124. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[20%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov