材质 :Ink on print material 尺寸 :29.5 × 21 cm Painting
涂鸦和书法，2001-2003-曾作财曾灶財 九龙国王()
英文名称:Graffiti Calligraphy, 2001-2003-Tsang Tsou Choi 曾灶財 King of Kowloon
122.
带凸起书法、花卉和几何图案句子碎片的模制光泽瓷砖（13世纪早期） by Unknown 高清作品[20%]
材质 :Molded fritware polychrome painted over white slip under transparent glaze 尺寸 :Phoenix Art Museum Design\\\\u002FDecorative Art
带凸起书法、花卉和几何图案句子碎片的模制光泽瓷砖（13世纪早期）-未知的(Unknown)
英文名称:Molded Luster Tile with Sentence Fragment in Raised Calligraphy, Floral and Geometric Motifs (early 13th century)-Unknown
123.
刻有书法和叶状图案的食刀和刀鞘（奥斯曼时期（1299-1922）） by Unknown 高清作品[20%]
材质 :Steel, gold 尺寸 :Phoenix Art Museum Design\\\\u002FDecorative Art
刻有书法和叶状图案的食刀和刀鞘（奥斯曼时期（1299-1922））-未知的(Unknown)
英文名称:Inscribed Eating Knife and Sheath with Calligraphy and Foliate Motifs (Ottoman Period (1299–1922))-Unknown
124.
乐高涂鸦书法（圣诞版），2004-2006 by Tsang Tsou Choi 曾灶財 King of Kowloon 高清作品[20%]
材质 :Ink on paper envelope, brown paper, lego (Christmas Version) 尺寸 :32 × 27 × 5 cm Sculpture
乐高涂鸦书法（圣诞版），2004-2006-曾作财曾灶財 九龙国王()
英文名称:Graffiti Calligraphy on Lego (Christmas Version), 2004-2006-Tsang Tsou Choi 曾灶財 King of Kowloon
125.
Alice Mak@McDull Artroom，春季1，麦兜书法 - 麥家碧@麥兜美術室，正月春麥兜臨熹平石經 高清作品[20%]
Alice Mak @ McDull Artroom, Spring 1, Mcdull calligraphy-麥家碧@麥兜美術室，正月春麥兜臨熹平石經
（Alice Mak@McDull Artroom，春季1，麦兜书法-麥家碧@麥兜美術室，正月春麥兜臨熹平石經）
126.
Alice Mak@McDull Artroom，春季2，麦兜书法 - 麥家碧@麥兜美術室，午月春麥兜臨甲骨文 高清作品[20%]
Alice Mak @ McDull Artroom, Spring 2, Mcdull calligraphy-麥家碧@麥兜美術室，午月春麥兜臨甲骨文
（Alice Mak@McDull Artroom，春季2，麦兜书法-麥家碧@麥兜美術室，午月春麥兜臨甲骨文）
127.
Alice Mak@McDull Artroom，春季4，McDull书法 - 麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑 高清作品[20%]
Alice Mak @ McDull Artroom, Spring 4, Mcdull calligraphy-麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑
（Alice Mak@McDull Artroom，春季4，McDull书法-麥家碧@麥兜美術室，暢月春麥兜臨孔謙碑）
128.
Alice Mak@McDull Artroom，春季3，麦兜书法 - 麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書 高清作品[20%]
Alice Mak @ McDull Artroom, Spring 3, Mcdull calligraphy-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書
（Alice Mak@McDull Artroom，春季3，麦兜书法-麥家碧@麥兜美術室，巧月春麥兜臨王羲之草書）
129.
书法＃2椅子上的女人`
Calligraphic #2 Woman on Chair (1914~1918) by Henry Lyman Saÿen 高清作品[19%]
图片文件尺寸: 3090 x 2180px
书法＃2椅子上的女人-亨利莱曼Saïen.
` Calligraphic #2 Woman on Chair (1914`1918) --Henry Lyman Saÿen (美国艺术家, 1875-1918)
130.
恩索画圈，书法，挂卷轴，大正时代`Enso Circle with Calligraphy, Hanging Scroll, Taisho era by Nakahara Nantembo 高清作品[19%]
图片文件尺寸: 8500×5087 px
恩索画圈，书法，挂卷轴，大正时代-中原南登博
-Ensō is a Japanese word meaning circle and a concept strongly associated with Zen. Ensō is one of the most popular subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolises the Absolute, enlightenment, strength, elegance, the Universe, and the void; it can also symbolise the Japanese aesthetic itself. As an ‘expression of the moment’ it is often considered a form of minimalist expressionist art.
In Zen Buddhist painting, ensō represents a moment when the mind is free to simply let the spirit create. The brushed ink of the circle is usually done on silk or paper in one movement (but sometimes the great Bankei used two strokes) and there is no possibility of modification: it shows the expressive movement of the spirit at that time. Zen Buddhists believe that the character of the artist is fully exposed in how he or she draws an ensō. Only a person who is mentally and spiritually complete can draw a true ensō. Achieving the perfect circle, be it a full moon or an ensō is said to be The Moment of Enlightenment.
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