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蜡烛旁的两个艺妓-北川筑野

~ Two Geishas beside a Candle (mid 1800s) --Kitagawa Tsukimaro (Japanese, d. 1830)

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牵牛花（摘自《穿优雅现代服饰的源氏物语》系列）-ōbunsai Eishi

~ Morning Glory (from the series The Tale of Genji in Elegant Modern Dress) (c. 1790) --Chōbunsai Eishi (Japanese, 1756-1829)

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1799年，艺妓带着情人和银幕-喜多川歌麿

-Kitagawa Utamaro (1753-1806), one of the greatest masters of the Ukiyo-e school of Japanese wood-block printing, excelled in the exotic portrayal of Japanese women, especially those of the Yoshiwara district. Many contemporary critics regard him as the greatest Japanese printmaker.

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艺妓6岁时拿着手巾下午六点。-筑冈义

~ Geisha Carrying Hand Towels at 6;00 p.m. (1880) --Tsukioka Yoshitoshi (Japanese, 1839-1892)

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艺妓在1岁时将牙齿变黑下午六点。-筑冈义

~ Geisha Blackening Teeth at 1;00 p.m. (1880) --Tsukioka Yoshitoshi (Japanese, 1839-1892)

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艺妓站在萨米森的箱子旁边-北川宇太郎二世

~ Geisha Standing Beside a Shamisen Case (c. 1810) --Kitagawa Utamaro II (Japanese, ?-1831)

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艺妓2岁时用清酒壶喝酒早上八点。-筑冈义

~ Geisha Drinking from Sake Kettle at 2;00 a.m. (1880) --Tsukioka Yoshitoshi (Japanese, 1839-1892)

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艺妓-樱桃树3下午00:00由Tsukioka Yoshitoshi报道

~ Geisha by Cherry Trees at 3;00 p.m (1880) --Tsukioka Yoshitoshi (Japanese, 1839-1892)

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一群穿着古罗马或东方服饰的人聚集在异教徒的祭坛前-乔万尼·多门尼克·帖保罗

~ A Crowd of Persons in Antique Roman or Oriental Dress, Gathering at a Pagan Altar (ca. 1743) --Giovanni Domenico Tiepolo (Italian, 1727-1804)

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2月（弥生），艺妓在茶馆窗口-科里塞伊索达

~ Feburary (Yayoi), Geisha at Tea House Window (ca. 1760–1780) --Koryûsai Isoda (Japanese, 1735–1790)