124. 水坑不能说话，就像细长的灯芯，从近到远地抽出牛奶和肉，装着食物，就像《自由行走的双脚》（2020） by Rina Banerjee 高清作品[29%]

Watering holes could not speak, like elongated wicks, drew from near to far milk and meat, holding food like holding feet from walking free (2020) | Available for Sale

材质 :Moonstone beads, Czech glass beads, quartz, lava rock, cotton netting, sequin appliqué, sea conch, snail shells hand blown glass, Indian brass water head vessel, mohair 尺寸 :139.7 × 53.3 × 58.4 cm Sculpture

水坑不能说话，就像细长的灯芯，从近到远地抽出牛奶和肉，装着食物，就像《自由行走的双脚》（2020）-班尼杰(Indian, b. 1963)

英文名称:Watering holes could not speak, like elongated wicks, drew from near to far milk and meat, holding food like holding feet from walking free (2020) | Available for Sale-Rina Banerjee

127. 渔夫们回到岸边，一些旅行者在营地安营扎寨，两名骑手在山口上骑行，这是一个港口场景，远处的群山` A Harbour Scene With Fishermen Returning To Shore, Some Travellers Setting Up Camp And Two Riders On A Pass, Mountains Beyond by Jacob de Heusch 高清作品[29%]

~ A Harbour Scene With Fishermen Returning To Shore, Some Travellers Setting Up Camp And Two Riders On A Pass, Mountains Beyond-

图片文件尺寸: 4000 x 2479px

渔夫们回到岸边，一些旅行者在营地安营扎寨，两名骑手在山口上骑行，这是一个港口场景，远处的群山-雅各布·德赫希

~ A Harbour Scene With Fishermen Returning To Shore, Some Travellers Setting Up Camp And Two Riders On A Pass, Mountains Beyond--Jacob de Heusch (荷兰艺术家, 1657 - 1701)

129. 《草地上的午餐：在我意识到奥德琳对她的话赋予了不同的含义（2017）之前，我是如何认为奥德琳想让我给她画画的 by Phil Rabovsky 高清作品[29%]

Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale

材质 :Oil, acrylic, and silkscreen on canvas; plants 尺寸 :About the work Painting

《草地上的午餐：在我意识到奥德琳对她的话赋予了不同的含义（2017）之前，我是如何认为奥德琳想让我给她画画的-菲尔·拉博夫斯基

英文名称:Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale-Phil Rabovsky

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画画食物的人体旅行 画出食物在人体旅行 食物的人体旅行怎么画 画画食物在人体的消化过程 画一画食物的人体旅行手抄报 写出或画出食物在人体的笑话旅程
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