121. 一位女士和一个孩子的肖像，传统上被认为是鲁伯特王子（1619-1682）和他的母亲波希米亚伊丽莎白（1596-1662） by Marcus Gheeraerts the Younger 高清作品[26%]

Portrait of a Lady and Child, traditionally identified as Prince Rupert (1619-1682) and his mother Elizabeth of Bohemia (1596-1662)

材质 :Oil on canvas 尺寸 :216.9 × 125.1 cm Painting

一位女士和一个孩子的肖像，传统上被认为是鲁伯特王子（1619-1682）和他的母亲波希米亚伊丽莎白（1596-1662）-小马库斯·盖尔茨(Anglo - Flemish, 1561–1636)

英文名称:Portrait of a Lady and Child, traditionally identified as Prince Rupert (1619-1682) and his mother Elizabeth of Bohemia (1596-1662)-Marcus Gheeraerts the Younger

122. 为身份不明的餐厅设计，可能是Dunhall和s餐厅，纽约州纽约市。][面具和舞蹈人物壁画（门厅墙壁处理）` Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer) (1944) by Winold Reiss 高清作品[26%]

~ Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer) (1944) -

图片文件尺寸: 9494 x 7013px

为身份不明的餐厅设计，可能是Dunhall和s餐厅，纽约州纽约市。][面具和舞蹈人物壁画（门厅墙壁处理）-温诺德赖斯

~ Design for unidentified restaurant, possibly Dunhalls Restaurant, New York, NY.] [Mural of masks and dancing figures (Wall treatment in foyer) (1944) --Winold Reiss (美国艺术家, 1886-1953)

123. 这是一个艺术寓言，伊希斯和几何学参加了绘画和雕塑的三个头人物，一个给她戴上桂冠的推杆` An Allegory of the Arts with Isis and Geometry Attending the Three~headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels (17th century) by Erasmus Quellinus 高清作品[26%]

~ An Allegory of the Arts with Isis and Geometry Attending the Three~headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels (17th century) -

图片文件尺寸: 3461 x 2653px

这是一个艺术寓言，伊希斯和几何学参加了绘画和雕塑的三个头人物，一个给她戴上桂冠的推杆-伊拉斯谟·奎利努斯

~ An Allegory of the Arts with Isis and Geometry Attending the Three~headed Figure of Painting and Sculpture, a Putto Crowning her with Laurels (17th century) --Erasmus Quellinus (Flemish, 1607-1678)

124. 对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年 by objet A.D 高清作品[26%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

125. 一个装满鲜花、葡萄、桃子、李子和杏子的瓮，前景是威廉·范·莱恩（Willem van Leen）的一个菠萝和一只鸽子` An urn filled with flowers, grapes, peaches, plums and apricots, a pineapple and a pigeon in the foreground by Willem van Leen 高清作品[26%]

~ An urn filled with flowers, grapes, peaches, plums and apricots, a pineapple and a pigeon in the foreground-

图片文件尺寸: 2851 x 3660px

一个装满鲜花、葡萄、桃子、李子和杏子的瓮，前景是威廉·范·莱恩（Willem van Leen）的一个菠萝和一只鸽子-威廉·范莱恩

~ An urn filled with flowers, grapes, peaches, plums and apricots, a pineapple and a pigeon in the foreground--Willem van Leen (荷兰艺术家, 1753 – 1825)

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