122. 比阿特丽斯·托马斯(Beatrice Thomas)宣称:“我是一个古怪黑人。作为南方奴隶贸易后代,我正在颠覆父权制脚本。”。“和黑豹一样,我是我所在社区保护者,声称拥女性权力。”(2019年) by Jamil Hellu 高清作品[19%]

“I am a queer black person. As a descendant of the Southern slave trade, I’m flipping the script of patriarchy,” avows Beatrice Thomas. “Like the Black Panthers, I’m a protector of my community, claiming female power.” (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

比阿特丽斯·托马斯(Beatrice Thomas)宣称:“我是一个古怪黑人。作为南方奴隶贸易后代,我正在颠覆父权制脚本。”。“和黑豹一样,我是我所在社区保护者,声称拥女性权力。”(2019年)-Jamil灯

英文名称:“I am a queer black person. As a descendant of the Southern slave trade, I’m flipping the script of patriarchy,” avows Beatrice Thomas. “Like the Black Panthers, I’m a protector of my community, claiming female power.” (2019) | Available for Sale-Jamil Hellu

126. 时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年 by Rowan Smith 高清作品[19%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

128. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[19%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov