图片文件尺寸: 2223 x 3309px

安格尔之后的普辛之手-Georges Seurat先生

~ The Hand of Poussin, after Ingres (1875–77) --Georges Seurat (法国艺术家, 1859-1891)

[SEGAL] -- ROBBE-GRILLET, ALAIN. AUTOGRAPH MANUSCRIPT FOR THE SEGAL EXHIBITION, 1990.-[SEGAL]----ROBBE-GRILLET,-ALAIN.-AUTOGRAPH-MANUSCRIPT-FOR-THE-SEGAL-EXHIBITION,-1990.
（[西格尔]——罗比·格里莱，阿兰。西格尔展览的亲笔签名手稿，1990年。-[西格尔]——罗比·格里耶，-阿兰-签名手稿展览，1990年。）

Timeless Standard-Cory-Arcangel
（永恒的标准-科里·阿坎格尔）

The Gray Door-George-Segal
（灰色的门-乔治·西格尔）

材质 :Marble 尺寸 :27.3 × 13.6 × 12.7 cm Design\\\\u002FDecorative Art

一对新古典主义花瓶（19世纪末的意大利）-无偿的

英文名称:Pair of Neoclassical Vases (Italy-late 19th century ) | Available for Sale-Unattributed

图片文件尺寸: 3788×5000 px

安格尔的小提琴，蒙帕纳斯的琪琪-曼雷

-The Violon d\'Ingres depicts the nude back of Kiki de Montparnasse, the 法国艺术家 model, actress and nightclub singer who permeated and helped shape Parisian culture of the 1920s. She is posed in accordance with the Valpinçon Bather by Jean Auguste Dominque Ingres hanging famously in the Louvre. The curves of her figure mimic those of a violin, and as such, Man Ray superimposes sound holes characteristic of the musical instrument onto the small of her back. Indeed, the colloquial 法国艺术家 saying \"violon d\'Ingres\" refers to a hidden talent eclipsed by one\'s primary skill--derived from the little known fact that Ingres was an accomplished violinist in addition to his success as an artist. A further reading of the image alludes to the inherent sexual nuances--presenting this actress in the guise of the 19th century Orientalist femme fatale and thereby opening her up to the predatory male gaze or to being \"played\" like an instrument.
The source of this multi-dimensional title reveals Man Ray\'s wit and knowledge of painting and the history of art, as well as demonstrating his status as a forerunner of conceptual art. Arturo Schwarz writes that \"A photograph thus became an exciting Surrealist image by the coupling of two distant realities\' that transformed the woman\'s torso into the body of a violin. In addition--and this was probably what mattered to Man Ray--he was hinting at the fact that photography was for him merely his violon d\'Ingres; his real interests lay elsewhere\" (A. Schwarz, The Rigour of Imagination, New York, 1977, p. 281).
As a leading figure in the DADA and Surrealist movements, Man Ray paved the way for conceptual art practice as it developed in the course of the 20th century. His advancements in photography, namely through photocollage and in his self-proclaimed rayographs (cameraless photography), represent only a small piece of his contribution to the art world.

A NEOCLASSICAL STYLE PAINTED AND PARCEL GILT CONSOLE TABLE-A-NEOCLASSICAL-STYLE-PAINTED-AND-PARCEL-GILT-CONSOLE-TABLE
（一张新古典主义风格的彩绘包裹镀金控制台桌-一张新古典主义风格的彩绘包裹镀金控制台桌）

图片文件像素：4600 x 3500 px

新古典主义的桌子，4。第19季度。圣诞节拍卖会-

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黑檀桃花心木框架，带有部分着色的不同珍贵木材、现场形状的花卉、镀金配件、两个架子、带有嵌入花卉彩绘珐琅壳嵌件的板材，高度约75厘米，宽度约41厘米，深度约33厘米，使用痕迹（电话74）电话300

COMPOSITION À L’OISEAU-FERNAND-LÉGER-
（鸟的构图-费尔南多·莱格尔-）

图片文件尺寸: 3446 x 2548px

一头母狮和一幅安格尔的漫画-尤金·德拉克罗瓦

~ A Lioness and a Caricature of Ingres (1850s) --Eugène Delacroix (法国艺术家, 1798-1863)