121. “Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望世界上看到的那种温柔、有创意、相互关联的男性气质。(2019年) by Jamil Hellu 高清作品[30%]

“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

“Eli Chi自称为非二元transmasculine,来自一个从古巴移民到美国的中国家庭。他是Tender Bois Club的创始人之一,这是一家音乐制作公司,塑造了他希望世界上看到的那种温柔、有创意、相互关联的男性气质。(2019年)-Jamil灯

英文名称:“Self-identified as non-binary transmasculine, Eli Chi comes from a Chinese family who immigrated to the United States from Cuba. He’s one of the founders of the Tender Bois Club, a music production house modeling the kind of tender, creative, and connected masculinity he wishes to see in the world. (2019) | Available for Sale-Jamil Hellu

122. 盟军北京故宫内击退敌军,选自关于中国战争的插图报道` Allied Forces Repulsing Enemy Troops within the Imperial Palace in Beijing, from the series ;Illustrated Reports of the War in China (1900~1901) by Kasai Torajirō 高清作品[29%]

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Allied Forces Repulsing Enemy Troops within the Imperial Palace in Beijing, from the series ;Illustrated Reports of the War in China (1900~1901) -

图片文件尺寸: 4077 x 3263px

盟军北京故宫内击退敌军,选自关于中国战争的插图报道-Kasai Torajirō

~ Allied Forces Repulsing Enemy Troops within the Imperial Palace in Beijing, from the series ;Illustrated Reports of the War in China (1900~1901) --Kasai Torajirō (Japanese, active 1905-)

123. 这是一幅古代遗迹中有牧羊人和牧羊女的风景画,还有卡斯特和波卢克斯的雕像以及远处的万神殿` A Landscape With Shepherds And Shepherdesses Among Ancient Ruins, With The Statue Of Castor And Pollux And The Pantheon Beyond by Hubert Robert 高清作品[29%]

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A Landscape With Shepherds And Shepherdesses Among Ancient Ruins, With The Statue Of Castor And Pollux And The Pantheon Beyond-

图片文件尺寸: 4260 x 3178px

这是一幅古代遗迹中有牧羊人和牧羊女的风景画,还有卡斯特和波卢克斯的雕像以及远处的万神殿-罗伯尔

` A Landscape With Shepherds And Shepherdesses Among Ancient Ruins, With The Statue Of Castor And Pollux And The Pantheon Beyond--Hubert Robert (法国艺术家, 1733-1808)

124. Adriaan Pit(1860-1944).Director van Het Nederlands博物馆Voor GeschiedenisKunst Te Amsterdam` Adriaan Pit (1860 1944). Directeur van het Nederlands Museum voor Geschiedenis en Kunst te Amsterdam (1880 1900) by Marinus van der Maarel 高清作品[29%]

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Adriaan Pit (1860 1944). Directeur van het Nederlands Museum voor Geschiedenis en Kunst te Amsterdam (1880   1900) -

图片文件尺寸: 2190 x 3534px

Adriaan Pit(1860-1944).Director van Het Nederlands博物馆Voor GeschiedenisKunst Te Amsterdam

` Adriaan Pit (1860 1944). Directeur van het Nederlands Museum voor Geschiedenis en Kunst te Amsterdam (1880 1900) --Marinus van der Maarel (荷兰艺术家, 1857-1921)

125. 弗朗西斯科·劳拉纳(Francesco Laurana)的埃莱诺拉(Eleonora d)半身像之后的研究阿拉戈纳巴勒莫博物馆。简介t.h。` Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. Profil t.h. (1893 – 1895) by L.A. Ring 高清作品[29%]

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Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. Profil t.h. (1893 – 1895) -

图片文件尺寸: 1575 x 2552px

弗朗西斯科·劳拉纳(Francesco Laurana)的埃莱诺拉(Eleonora d)半身像之后的研究阿拉戈纳巴勒莫博物馆。简介t.h。-洛杉矶戒指

~ Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. Profil t.h. (1893 – 1895) --L.A. Ring (丹麦画家, 1854 – 1933)

126. 哥特式晚期的施兰克。慕尼黑巴伐利亚博物馆,阿尔伯特·杜勒(Albert Dürer&)的吊灯(leuchterweibschen)埃德温·弗利纽伦堡的家` Late Gothic schrank. In the Bavarian Museum, Munich, with hanging light (leuchterweibschen), from Albert Dürers house at Nuremburg (1910 ~ 1911) by Edwin Foley 高清作品[29%]

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Late Gothic schrank. In the Bavarian Museum, Munich, with hanging light (leuchterweibschen), from Albert Dürers house at Nuremburg (1910 ~ 1911) -

图片文件尺寸: 3369 x 4504px

哥特式晚期的施兰克。慕尼黑巴伐利亚博物馆,阿尔伯特·杜勒(Albert Dürer&)的吊灯(leuchterweibschen)埃德温·弗利纽伦堡的家-埃德温·福利

~ Late Gothic schrank. In the Bavarian Museum, Munich, with hanging light (leuchterweibschen), from Albert Dürers house at Nuremburg (1910 ~ 1911) --Edwin Foley (English, 1859-1912)

127. 弗朗西斯科·劳拉纳(Francesco Laurana)的埃莱诺拉(Eleonora d)半身像之后的研究阿拉戈纳巴勒莫博物馆。面带微笑` Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. En face (1893 – 1895) by L.A. Ring 高清作品[29%]

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Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. En face (1893 – 1895) -

图片文件尺寸: 2895 x 4793px

弗朗西斯科·劳拉纳(Francesco Laurana)的埃莱诺拉(Eleonora d)半身像之后的研究阿拉戈纳巴勒莫博物馆。面带微笑-洛杉矶戒指

` Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. En face (1893 – 1895) --L.A. Ring (丹麦画家, 1854 – 1933)

128. 弗朗西斯科·劳拉纳(Francesco Laurana)的埃莱诺拉(Eleonora d)半身像之后的研究阿拉戈纳巴勒莫博物馆。面带微笑` Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. En face (1893 – 1895) by L.A. Ring 高清作品[29%]

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Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. En face (1893 – 1895) -

图片文件尺寸: 2895 x 4793px

弗朗西斯科·劳拉纳(Francesco Laurana)的埃莱诺拉(Eleonora d)半身像之后的研究阿拉戈纳巴勒莫博物馆。面带微笑-洛杉矶戒指

~ Studie efter Francesco Lauranas buste af Eleonora dAragona i museet i Palermo. En face (1893 – 1895) --L.A. Ring (丹麦画家, 1854 – 1933)

129. 333部分37秒/333部分37秒(2016) by Ricardo Jacinto 高清作品[29%]

333 partes e 37 segundos / 333 parts and 37 seconds (2016)

材质 :333 cello fragments //// five table tops / 1 x (78 × 240 × 80 cm) 3 x (78 × 240 × 100 cm) 2 x (78 × 175 × 90 cm) // Sound, 5 channels 1’14’’, loop // (sound system not included) 尺寸 :Galeria BRUNO MÚRIAS Installation

333部分37秒/333部分37秒(2016)-里卡多·贾辛托

英文名称:333 partes e 37 segundos / 333 parts and 37 seconds (2016)-Ricardo Jacinto