材质 :Wood, lacquer, mirror & chromed steel 尺寸 :125 × 115 × 51 cm Design\\\\u002FDecorative Art

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1931年，马特·斯塔姆为弗里茨·汉森设计的现代主义梳妆台，1931年-马特·斯坦(Dutch, 1899–1996)

英文名称:1931 Mart Stam modernist Dressing table for Fritz Hansen, 1931-Mart Stam

材质 :Pastel on Paper - signed twice and hand inscribed with letter of provenance 尺寸 :27.9 × 34.3 cm Painting

《秘密草地》（签名两次，以独特的个人题字写给著名艺术评论家，并附上出处证明）（1974年）-沃尔夫·卡恩

英文名称:Secret Meadow (signed twice with unique personal inscription to renowned art critic, with letter of provenance) (1974) | Available for Sale-Wolf Kahn

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以人物为动画的迪奥斯库里和安提克遗址景观-让·莱迈尔

~ Landscape With The Dioscuri And Antic Ruins Animated With Figures--Jean Lemaire (法国艺术家, 1598–1659)

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一个寓言式的场景，以阿格拉亚的三种恩典为特色-Cornelis Cornelisz Van Haarlem

~ An allegorical scene featuring the Three Graces Aglaia--Cornelis Cornelisz Van Haarlem (荷兰艺术家, 1562 - 1638)

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壁纸设计，以玫瑰花束、花边和花边为特色-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Wallpaper design featuring bouquets of roses, strapwork, and rinceaux (1830–97) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

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与新连衣裙一样，春装上衣也以线条简单为目标

~ The spring blouse, like the new frock, makes ease of line its objective (1920) -

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以城市为背景的码头上的船只-亨德里克·雅各布斯。双打

~ Ships at a Quai with a City in the Background (late 1660s) --Hendrick Jacobsz. Dubbels (荷兰艺术家, 1621–1707)

材质 :Leaflet (Milan: Direzione del Movimento Futurista, 1913) 尺寸 :29.2 × 23 cm Drawing, Collage or other Work on Paper

《噪音的艺术：未来主义宣言》（1913）-卢索诺(Italian, 1885–1947)

英文名称:“The Art of Noises: Futurist Manifesto” (“L’arte dei rumori: Manifesto futurista”) (1913)-Luigi Russolo

材质 :Etching, Aquatint 尺寸 :50.8 × 35.6 cm Print

超现实主义具象水彩蚀刻加利福尼亚现代主义雕塑家艺术家（1960-1969）-杰克·扎哈克

英文名称:Surrealist Figurative Aquatint Etching California Modernist Sculptor Artist (1960-1969) | Available for Sale-Jack Zajac

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管道组合，装饰苏族管道杆，其中一个以水牛追逐为特色-卡特林

-A selection of Indian pipes in “Catlin’s North 美国艺术家 Indian Collection”.
The males amongst the North 美国艺术家 Indians all smoke, using instead of tobacco, several narcotics, such as inner bark of Red Willow, sumach leaves & c. which they call “k’nick-k’neck”, when it is prepared for smoking; to which, when they can get it, they add a small portion of tobacco.
Each man manufactures his own pipe, the bowl of which is generally carved in spar, in marble, stealite or potstone, found in their countries.
Pipes amongst the Am Indians are not only matters of luxury in the hands of all private individuals, where they are always emblems of peace and tendered as friendly salutations; but are kept in all tribes by the chiefs, as instruments for solemnizing Treaties; in which case they are public property considered sacred, and denominated “Calumets”, (or pipe of peace).