PABLO PICASSO WORKING ON THE \\\"WAR AND PEACE STUDY\\\" DRAWINGS ON THE WALL OF CHAPELLE DE LA PAIX (OR TEMPLE DE LA PAIX) FOR THE DOCUMENTARY FILM OF LUCIANO EMMER, VALLAURIS, 1953-EDWARD-QUINN--
(帕布罗·毕加索正在为卢西亚诺·埃默的纪录片《和平教堂》墙上的“战争与和平研究”绘画,瓦洛里斯,1953年-爱德华·奎因--)
122.
Michael Kienzer,Knäuel第14卷oCharity艺术,以ACAKORO为受益人` by
Michael Kienzer, Knäuel Vol. 14 高清作品[34%]
123.
空灵的水果抽象水墨画 - 7645×10675px 高清作品[33%]
124.
壁纸设计,以玫瑰花束、花边和花边为特色`
Wallpaper design featuring bouquets of roses, strapwork, and rinceaux (1830–97) by Jules-Edmond-Charles Lachaise 高清作品[33%]
125.
与新连衣裙一样,春装上衣也以线条简单为目标`
The spring blouse, like the new frock, makes ease of line its objective (1920) 高清作品[33%]
126.
柔和柔和的彩色抽象水墨画 - 9098×7278px 高清作品[33%]
127.
管道组合,装饰苏族管道杆,其中一个以水牛追逐为特色`Portfolio of Pipes, Decorated Sioux Pipe Stems, one featuring a Buffalo Chase by George Catlin 高清作品[33%]
图片文件尺寸: 6800×5107 px
管道组合,装饰苏族管道杆,其中一个以水牛追逐为特色-卡特林
-A selection of Indian pipes in “Catlin’s North 美国艺术家 Indian Collection”.
The males amongst the North 美国艺术家 Indians all smoke, using instead of tobacco, several narcotics, such as inner bark of Red Willow, sumach leaves & c. which they call “k’nick-k’neck”, when it is prepared for smoking; to which, when they can get it, they add a small portion of tobacco.
Each man manufactures his own pipe, the bowl of which is generally carved in spar, in marble, stealite or potstone, found in their countries.
Pipes amongst the Am Indians are not only matters of luxury in the hands of all private individuals, where they are always emblems of peace and tendered as friendly salutations; but are kept in all tribes by the chiefs, as instruments for solemnizing Treaties; in which case they are public property considered sacred, and denominated “Calumets”, (or pipe of peace).
128.
尼古拉斯·伯纳德·莱皮西(Nicolas Bernard Lepicie)将1900年前的绘画和版画、水彩画、微缩画归为托马斯特作品` by
Nicolas Bernard Lepicie zugeschrieben/attributed 高清作品[33%]
尼古拉斯·伯纳德·莱皮西(Nicolas Bernard Lepicie)将1900年前的绘画和版画、、微缩画归为托马斯特作品-
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(1735-1784)
Studie eines stehenden jungen Mädchens mit Korb, rote Kreide auf Bütten, 19,8 x 16 cm, Passep., gerahmt, (Sch)
Provenienz:
Auktion Winterberg, Heidelberg 1973; Sammlung Heinz Grunert (1908-1997), Berlin, (Lugt 3985); Privatsammlung, Deutschland.
Möglicherweise nach einer Figur in Lepiciés Gemälde \"In der Markthalle\" (ausgestellt im Salon von 1779).