121. 纽约州纽约市帕克剧院(后来是埃尔金电影院,后来是乔伊斯电影院)设计。]【外部视角研究】。。` Designs for the Puck Theater (later Elgin Movie Theater, then Joyce Movie Theater), New York, NY.] [Exterior perspective study.. (1941) by Winold Reiss 高清作品[25%]

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Designs for the Puck Theater (later Elgin Movie Theater, then Joyce Movie Theater), New York, NY.] [Exterior perspective study.. (1941) -

图片文件尺寸: 9160 x 6924px

纽约州纽约市帕克剧院(后来是埃尔金电影院,后来是乔伊斯电影院)设计。]【外部视角研究】。。-温诺德赖斯

~ Designs for the Puck Theater (later Elgin Movie Theater, then Joyce Movie Theater), New York, NY.] [Exterior perspective study.. (1941) --Winold Reiss (美国艺术家, 1886-1953)

122. 美国演员罗杰·摩尔(Roger MOORE)和克里斯托弗·沃肯(Christopher WALKEN)在约翰·格伦(John GLEN,1985)执导詹姆斯·邦德(James Bond)电影《杀戮视角》中现身 by Patrick Zachmann 高清作品[25%]

材质 :Silver gelatin print 尺寸 :30 × 40 cm Photography

美国演员罗杰·摩尔(Roger MOORE)和克里斯托弗·沃肯(Christopher WALKEN)在约翰·格伦(John GLEN,1985)执导詹姆斯·邦德(James Bond)电影《杀戮视角》中现身-帕特里克·扎克曼

英文名称:American actors Roger MOORE and Christopher WALKEN on the set of \\\"A view to kill\\\", a James Bond directed by John GLEN (1985) | Available for Sale-Patrick Zachmann

125. 从1992年到现在,几乎所有电影和视频作品都是如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中) by Douglas Gordon 高清作品[24%]

Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)

材质 :Multi-channel video installation, black-and-white and color, on monitors 尺寸 :San Francisco Museum of Modern Art (SFMOMA) Installation

从1992年到现在,几乎所有电影和视频作品都是如此。可以在显示器上看到,一些人戴着耳机,其他人安静地同时运行。(1999年进行中)-道格拉斯·戈登(Scottish, b. 1966)

英文名称:Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently and all simultaneously. (1999-ongoing)-Douglas Gordon