111. 矿工在废弃中国大院中铺位,之所以这样称呼,因为它可能在1904年至1910年间安置了契约中国劳工。在20世纪50年代被遗弃之前,黑人矿工住在这里。小火和杰克金矿,杰米斯顿。1965年7月,1965年 by David Goldblatt 高清作品[21%]

Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965

材质 :Silver gelatin photograph on fibre-based paper 尺寸 :55 × 44.5 cm Photography

图片文件尺寸 : 5630 x 4332px

矿工在废弃中国大院中铺位,之所以这样称呼,因为它可能在1904年至1910年间安置了契约中国劳工。在20世纪50年代被遗弃之前,黑人矿工住在这里。小火和杰克金矿,杰米斯顿。1965年7月,1965年-大卫·戈德布拉特(South African, 1930–2018)

英文名称:Miner\'s bunks in the abandoned Chinese compound, so called because it probably housed indentured Chinese labourer between 1904 and 1910. Before its abandonment in the 1950s, Black miners were accomodated here. Simmer and Jack Gold Mine, Germiston. July 1965, 1965-David Goldblatt

114. 红色起源(2020年,作为她艺术实践延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持人——以便为有需要妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据发达国家。(2021年) by Rose Marcus 高清作品[21%]

Red Origin (In <em>20</em><em>20</em>, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (<em>20</em>21) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她艺术实践延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持人——以便为有需要妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

115. 他们在南特威德运动人俱乐部一流扑克机休息室见面,但直到二天早上她付了早餐和房间费后,他才意识到她真正梅格·瑞安,一个著名人,比他大15岁,2020年 by Dale Frank 高清作品[20%]

They meet in the Premier First Class Poker Machine Lounge of the South Tweed Sportmans Club but it was not till the next morning after she paid for breakfast and the room that he realised she was the real Meg Ryan, someone famous and 15 years older than him, <em>20</em><em>20</em>

材质 :Pigments in easycast resin, epoxyglass on perspex 尺寸 :200 × 200 cm Painting

图片文件尺寸 : 5630 x 4332px

他们在南特威德运动人俱乐部一流扑克机休息室见面,但直到二天早上她付了早餐和房间费后,他才意识到她真正梅格·瑞安,一个著名人,比他大15岁,2020年-戴尔·弗兰克(Australian, b. 1959)

英文名称:They meet in the Premier First Class Poker Machine Lounge of the South Tweed Sportmans Club but it was not till the next morning after she paid for breakfast and the room that he realised she was the real Meg Ryan, someone famous and 15 years older than him, 2020-Dale Frank

117. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[20%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

118. 伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。` Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) by Strobridge and Co 高清作品[20%]

~
Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) -

图片文件尺寸: 2374 x 3567px

伊姆雷·基尔菲《威尼斯,奥林匹亚海上新娘》现代奥林匹亚最伟大作品。-斯特罗布里奇公司。

~ Imre Kiralfys historical romance, Venice, the bride of the sea at Olympia the greatest production of modern times at Olympia. (1891) --Strobridge and Co (美国艺术家, 1910-1954)

119. 出租车系列:东村,那时候整个社区都这样。这幅涂鸦由意大利艺术家卢卡·皮佐诺(Luca Pizzorno)创作,她于上世纪90年代中期(1984年)死于艾滋病, by Joseph Rodriguez 高清作品[20%]

TAXI Series: East Village, that whole neighborhood looked like this back then. The graffiti is by Luca Pizzorno, an Italian artist who died because of AIDS in the mid-90s (1984) | Available for Sale

材质 :Silver gelatin print 尺寸 :30.5 × 40.6 cm Photography

出租车系列:东村,那时候整个社区都这样。这幅涂鸦由意大利艺术家卢卡·皮佐诺(Luca Pizzorno)创作,她于上世纪90年代中期(1984年)死于艾滋病,-约瑟夫·罗德里格斯(American, b. 1951)

英文名称:TAXI Series: East Village, that whole neighborhood looked like this back then. The graffiti is by Luca Pizzorno, an Italian artist who died because of AIDS in the mid-90s (1984) | Available for Sale-Joseph Rodriguez