113. 中国出口蓝色和白色盘子,清朝,乾隆时期,18世纪末 - 一中国出口蓝白盘子——清朝——乾隆时期——18世纪末 高清作品[25%]

A PAIR OF CHINESE EXPORT BLUE AND WHITE PLATTERS, QING DYNASTY, QIANLONG PERIOD, LATE 18TH CENTURY-A-PAIR-OF-CHINESE-EXPORT-BLUE-AND-WHITE-PLATTERS-QING-DYNASTY-QIANLONG-PERIOD-LATE-18TH-CENTURY

A PAIR OF CHINESE EXPORT BLUE AND WHITE PLATTERS, QING DYNASTY, QIANLONG PERIOD, LATE 18TH CENTURY-A-PAIR-OF-CHINESE-EXPORT-BLUE-AND-WHITE-PLATTERS-QING-DYNASTY-QIANLONG-PERIOD-LATE-18TH-CENTURY
(一中国出口蓝色和白色盘子,清朝,乾隆时期,18世纪末-一中国出口蓝白盘子——清朝——乾隆时期——18世纪末)

115. 第一次世界大战宣传,美国债券,第三次自由贷款运动,1917年`World War I Propaganda, U.S.A. Bonds, Third Liberty Loan Campaign, 1917 by Joseph Christian Leyendecker 高清作品[25%]

AF-World War I Propaganda, U.S.A. Bonds, Third Liberty Loan Campaign, 1917

图片文件尺寸: 2765×4200 px

第一次世界大战宣传,美国债券,第三次自由贷款运动,1917年-约瑟夫·克里斯蒂安·莱恩德克

-World War I Propaganda, U.S.A. Bonds, Third Liberty Loan Campaign, Boys Scouts of America - Weapons for liberty, 1917 (Oil on Canvas), by Joseph Christian Leyendecker

118. 有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年 by Rowan Smith 高清作品[25%]

Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012

材质 :Gouache on Strathmore Watercolour paper 尺寸 :76.2 × 55.6 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

有时我会听无害独立音乐,但我永远不知道它如何影响非洲身份,2012年-罗恩·史密斯。(South African, b. 1983)

英文名称:Sometimes I listen to Innocuous Indie Music, but I Never Know how it Informs my African Identity, 2012-Rowan Smith

119. 私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年) by Kirill Savchenkov 高清作品[25%]

the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)

材质 :Mixed media sculpture 尺寸 :56 × 20 × 15 cm Sculpture

私酒影响/传感器自动化限制/接近是危险,但信息丰富/但我坐在里面(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:the effect of a moonshine / the limits of sensor automation / proximity is dangerous yet information-rich / but I’m sitting inside there (2020)-Kirill Savchenkov