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111. 绿松石睡莲`Turquoise Water Lilies by Claude Monet 高清作品[26%]

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绿松石睡莲-克劳德·莫内

-Turquoise water lilies (Oil on Canvas), by Claude Monet

112. 《睡莲》，1908年`The Water Lilies, 1908 by Claude Monet 高清作品[26%]

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《睡莲》，1908年-克劳德·莫内

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113. 《睡莲》，1922年`The Water Lilies, 1922 by Claude Monet 高清作品[26%]

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《睡莲》，1922年-克劳德·莫内

-Oscar-Claude Monet was a 法国艺术家 painter, a founder of 法国艺术家 Impressionist painting and the most consistent and prolific practitioner of the movement\'s philosophy of expressing one\'s perceptions before nature, especially as applied to plein air landscape painting. The term \"Impressionism\" is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Monet\'s ambition of documenting the 法国艺术家 countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883, Monet lived in Giverny, where he purchased a house and property and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. He began painting the water lilies in 1899, first in vertical views with a Japanese bridge as a central feature and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.

114. 睡莲，1922年`Water Lilies, 1922 by Oscar Claude Monet 高清作品[26%]

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睡莲，1922年-奥斯卡·克劳德·莫内

-Claude Monet (1840-1926) was a 法国艺术家 painter, a founder of 法国艺术家 Impressionist painting and the most consistent and prolific practitioner of the movement\'s philosophy of expressing one\'s perceptions before nature, especially as applied to plein air landscape painting. The term \"Impressionism\" is derived from the title of his painting Impression, soleil levant (Impression, Sunrise), which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Plants, water, and sky seem to merge in Claude Monet’s evocative painting of his lily pond at Giverny. The disorienting reflections, bold brushstrokes, and lack of horizon line or spatial depth make Water Lilies appear almost abstract. Painted about 1922, it belongs to a grand project that Monet had conceived as far back as 1897.