111. 当女性成为大规模的政治人物时，革命已经进入了一个新阶段——国际女性1976年情人节。` When women become massively political, the revolution has moved to a new stage International Womens Day, 1976. (1976) by Peg Averill 高清作品[19%]

~ When women become massively political, the revolution has moved to a new stage International Womens Day, 1976. (1976) -

图片文件尺寸: 9369 x 14152px

当女性成为大规模的政治人物时，革命已经进入了一个新阶段——国际女性1976年情人节。-佩格·艾弗里尔

~ When women become massively political, the revolution has moved to a new stage International Womens Day, 1976. (1976) --Peg Averill

112. 在巴黎郊区，我的军队遭到了殴打。我我只是到处跑，可以我什么也不做` On The Outskirts Of Paris My Army Is Being Beaten Up. Im Just Running Around And Cant Do A Thing (1914~1915) by Kazimir Malevich 高清作品[19%]

~ On The Outskirts Of Paris My Army Is Being Beaten Up. Im Just Running Around And Cant Do A Thing (1914~1915) -

图片文件尺寸: 6832 x 4624px

在巴黎郊区，我的军队遭到了殴打。我我只是到处跑，可以我什么也不做-卡齐米尔·马列维奇

~ On The Outskirts Of Paris My Army Is Being Beaten Up. Im Just Running Around And Cant Do A Thing (1914~1915) --Kazimir Malevich (Russian, 1879 – 1935)

113. 这部电影是牛仔汤姆的特技表演。他讲故事的方式，以及他真正做了什么。` The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) by Goes Litho. Co. 高清作品[19%]

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) -

图片文件尺寸: 5545 x 10519px

这部电影是牛仔汤姆的特技表演。他讲故事的方式，以及他真正做了什么。-去石像馆。有限公司。

~ The Moving Picture Cowboy Tom Mix doing stunts. The way he told the story, and what he really did. (1914) --Goes Litho. Co.

114. 大约1720年左右，安德烈·查尔斯·布勒（ANDRE-CHARLES BOULLE）或他的工作室制作了两张路易十四（LOUIS XIV）晚期/早期摄政时期镀金青铜镶嵌的乌木、龟甲和黄铜镶嵌控制台 - 两张晚期路易十四早期摄政镀金青铜镶嵌乌木龟甲黄铜镶嵌控制台桌子归因于安德烈查尔斯布勒或他的工作室约1720年 高清作品[18%]

TWO LATE LOUIS XIV/EARLY REGENCE GILT BRONZE MOUNTED EBONY, TORTOISESHELL AND BRASS MARQUETRY CONSOLE TABLES ATTRIBUTED TO ANDRE-CHARLES BOULLE OR HIS WORKSHOP, CIRCA 1720-TWO-LATE-LOUIS-XIV EARLY-REGENCE-GILT-BRONZE-MOUNTED-EBONY-TORTOISESHELL-AND-BRASS-MARQUETRY-CONSOLE-TABLES-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-OR-HIS-WORKSHOP-CIRCA-1720

TWO LATE LOUIS XIV/EARLY REGENCE GILT BRONZE MOUNTED EBONY, TORTOISESHELL AND BRASS MARQUETRY CONSOLE TABLES ATTRIBUTED TO ANDRE-CHARLES BOULLE OR HIS WORKSHOP, CIRCA 1720-TWO-LATE-LOUIS-XIV EARLY-REGENCE-GILT-BRONZE-MOUNTED-EBONY-TORTOISESHELL-AND-BRASS-MARQUETRY-CONSOLE-TABLES-ATTRIBUTED-TO-ANDRE-CHARLES-BOULLE-OR-HIS-WORKSHOP-CIRCA-1720
（大约1720年左右，安德烈·查尔斯·布勒（ANDRE-CHARLES BOULLE）或他的工作室制作了两张路易十四（LOUIS XIV）晚期/早期摄政时期镀金青铜镶嵌的乌木、龟甲和黄铜镶嵌控制台-两张晚期路易十四早期摄政镀金青铜镶嵌乌木龟甲黄铜镶嵌控制台桌子归因于安德烈查尔斯布勒或他的工作室约1720年）

115. 在熊、美洲虎和鳄鱼的家里，三巨头。或者，加州阿罕布拉的奇迹。叛军领袖们在他们的助手们之上盘旋，他们擅长逆向转化。牧师的存活率为50%。与此同时，一些djinn来看看发生了什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[18%]

In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate. Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion. The priests have a 50 percent survival rate. Meanwhile, some djinn show up to see what’s going on. Black and White Jesus in the El Camino appear shocked. (2021)

材质 :Acrylic on canvas 尺寸 :182.9 × 182.9 × 3 cm Painting

在熊、美洲虎和鳄鱼的家里，三巨头。或者，加州阿罕布拉的奇迹。叛军领袖们在他们的助手们之上盘旋，他们擅长逆向转化。牧师的存活率为50%。与此同时，一些djinn来看看发生了什么。《卡米诺》中的黑白耶稣似乎很震惊。(2021)-乌马尔·拉希德（两根羽毛）

英文名称:In the House of the Bear, the Jaguar, and the Crocodile, The Triumvirate. Or, the miracle at the Californian Alhambra. The rebel leaders hover above their acolytes adept in the ways of reverse conversion. The priests have a 50 percent survival rate. Meanwhile, some djinn show up to see what’s going on. Black and White Jesus in the El Camino appear shocked. (2021)-Umar Rashid (Frohawk Two Feathers)

116. Howie和伊莉斯来自格林奥克大街的达林点，在过去的20年里，每复活节参观了10天，罗斯科俱乐部的自然主义营地在弗雷曼斯的水坑里和他们的双胞胎儿子，悉尼房地产经纪人，埃米尔和Rubin，2021岁。 by Dale Frank 高清作品[18%]

Howie and Elise from the Darling Point high side of Greenoaks Avenue have for the last 20 years visited for 10 days each Easter the Rosco Club naturist camp at Freemans Waterholes with their twin sons, Sydney real estate agents, Emile and Rubin, 2021

材质 :Interference colour pigment in Easycast, Epoxyglass, on Perspex 尺寸 :200 × 150 cm Painting

图片文件尺寸 : 5630 x 4332px

Howie和伊莉斯来自格林奥克大街的达林点，在过去的20年里，每复活节参观了10天，罗斯科俱乐部的自然主义营地在弗雷曼斯的水坑里和他们的双胞胎儿子，悉尼房地产经纪人，埃米尔和Rubin，2021岁。-戴尔·弗兰克(Australian, b. 1959)

英文名称:Howie and Elise from the Darling Point high side of Greenoaks Avenue have for the last 20 years visited for 10 days each Easter the Rosco Club naturist camp at Freemans Waterholes with their twin sons, Sydney real estate agents, Emile and Rubin, 2021-Dale Frank

118. 科切拉战役第一部分。第一天。在一次大胆的白昼突袭中，三位一体的人转而反对他们的前战友，这是由一个残废的任务控制中心派来的新皈依治疗师提供的错误信息刺激的。马里亚希斯在结尾唱了一首挽歌。(2021) by Umar Rashid (Frohawk Two Feathers) 高清作品[18%]

The Battle of Coachella Part 1. Day 1. The Triumvirate turn against their former comrades in a daring daylight raid, goaded on by misinformation with new conversion therapists sent from a crippled mission control. Mariachis play a dirge at the end. (2021)

材质 :Acrylic and mica flake on canvas 尺寸 :182.9 × 182.9 × 3.8 cm Painting

科切拉战役第一部分。第一天。在一次大胆的白昼突袭中，三位一体的人转而反对他们的前战友，这是由一个残废的任务控制中心派来的新皈依治疗师提供的错误信息刺激的。马里亚希斯在结尾唱了一首挽歌。(2021)-乌马尔·拉希德（两根羽毛）

英文名称:The Battle of Coachella Part 1. Day 1. The Triumvirate turn against their former comrades in a daring daylight raid, goaded on by misinformation with new conversion therapists sent from a crippled mission control. Mariachis play a dirge at the end. (2021)-Umar Rashid (Frohawk Two Feathers)

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