材质 :Mixed media and collage on canvas, with pencil and watercolor on paper 尺寸 :81 × 65 cm Mixed Media
无标题（花卉101%由我和其他人绘制，第5号）（1962年）-坦克雷迪(Italian, 1927–1964)
英文名称:Untitled (Flowers 101% Painted by Me and by Others No. 5) (1962)-Tancredi
112.
圣址，1867年绘制`Sainte-Adresse, Painted in 1867 by Claude Monet 高清作品[27%]
图片文件尺寸: 9000×6261 px
圣址，1867年绘制-克劳德·莫内
-Sainte-Adresse, Painted in 1867 (Oil on Canvas), by Claude Monet
113.
鸢尾花，1889年绘制`Irises, Painted in 1889 by Vincent van Gogh 高清作品[27%]
图片文件尺寸: 6200×4853 px
鸢尾花，1889年绘制-文森特·梵高
-Vincent Willem van Gogh (荷兰艺术家, 1853-1890) was a 荷兰艺术家 Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history.
In May 1889, after episodes of self-mutilation and hospitalization, Vincent van Gogh chose to enter an asylum in Saint-Rémy, France. There, in the last year before his death, he created almost 130 paintings. Within the first week, he began Irises, working from nature in the asylum\'s garden. The cropped composition, divided into broad areas of vivid color with monumental irises overflowing its borders, was probably influenced by the decorative patterning of Japanese woodblock prints.
Each one of Van Gogh\'s irises is unique. He carefully studied their movements and shapes to create a variety of curved silhouettes bounded by wavy, twisting, and curling lines. The painting\'s first owner, 法国艺术家 art critic Octave Mirbeau, one of Van Gogh\'s earliest supporters, wrote: \"How well he has understood the exquisite nature of flowers!\"
114.
用Artis绘制`
In Artis getekend (1978) by Jolijn van de Wouw 高清作品[27%]
图片文件尺寸: 2662 x 4862px
用Artis绘制-Jolijn van de Wouw
~ In Artis getekend (1978) --Jolijn van de Wouw (荷兰艺术家, 1942-2001)
115.
Passstück（由Eugenia Rochas绘制）（约1983年© by Franz West 高清作品[27%]
材质 :Wood, gauze bandages, plaster, acrylic 尺寸 :22 × 63 × 27 cm Sculpture
Passstück（由Eugenia Rochas绘制）（约1983年©-弗朗茨·韦斯特(Austrian, 1947–2012)
英文名称:Passstück (bemalt von Eugenia Rochas) (ca. 1983) | Available for Sale-Franz West
116.
裸体坐着，1917年绘制`Seated Nude, Painted in 1917 by Amedeo Modigliani 高清作品[27%]
图片文件尺寸 : 5118×8200 px
裸体坐着，1917年绘制-阿梅代奥·莫迪利亚尼
-Amedeo Clemente Modigliani (1884-1920) was an Italian painter and sculptor who worked mainly in France.
Seated Nude, 1917 (Oil on Canvas), by Amedeo Modigliani
117.
Pierre Bonnard | Cannet画家之家（Cannet绘画，专为Winding Renoir女士绘制） - 波纳尔 高清作品[27%]
PIERRE BONNARD | MAISON DU PEINTRE AU CANNET (TABLEAU PEINT AU CANNET SPÉCIALEMENT POUR MME WINDING-RENOIR)-Pierre-Bonnard
（Pierre Bonnard | Cannet画家之家（Cannet绘画，专为Winding Renoir女士绘制）-波纳尔）
118.
s/heness绘制了waters edge的满月集（2022年） by Shanna Waddell 高清作品[27%]
材质 :Oil on canvas 尺寸 :181.6 × 91.4 cm Painting
s/heness绘制了waters edge的满月集（2022年）-珊娜·沃德尔
英文名称:s/heness paints the full moonset at waters edge (2022) | Available for Sale-Shanna Waddell
119.
鲁道夫·豪斯纳（RudolfHausner）绘制了20幅作品。19世纪的` by
Rudolf Hausner 高清作品[27%]
图片文件像素：4600 x 3500 px
鲁道夫·豪斯纳（RudolfHausner）绘制了20幅作品。19世纪的-
-
(Wien 1914-1995)
Gelber Narrenhut, 1974, signiert unten rechts: R. Hausner, betitelt und datiert unten links, Farbserigrafie auf Velin, Nr. 305 von 1000 nummerierten Exemplaren, Darstellungsgröße ca. 63 x 54 cm, Blattgröße ca. 82,5 x 69 cm, ungerahmt, Knickspuren (war früher gerollt), Papierqualitätsfehler am rechten oberen Rand Ruf 400
120.
治疗过程中的阴性血液并不意味着固化继续治疗，直到Leslie Bryan Burroughs排出`
Negative blood during treatment does not mean cure Continue treatment until discharged (1936~1939) by Leslie Bryan Burroughs 高清作品[27%]
图片文件尺寸: 2350 x 3681px
治疗过程中的阴性血液并不意味着固化继续治疗，直到Leslie Bryan Burroughs排出-Leslie Bryan Burroughs.
` Negative blood during treatment does not mean cure Continue treatment until discharged (1936`1939) --Leslie Bryan Burroughs (美国艺术家, 19th Century)
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