112. 从里到下。。。结构主义基石什么?来自通用动力联合国投资组合,1970年 by Eduardo Paolozzi 高清作品[27%]

Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970

材质 :Photolithograph 尺寸 :38.1 × 25.4 cm Print

图片文件尺寸 : 5630 x 4332px

从里到下。。。结构主义基石什么?来自通用动力联合国投资组合,1970年-爱德华多·包洛奇(British, 1924–2005)

英文名称:Inside Down Under... What are the Building Blocks of Structuralism? II from General Dynamic F.U.N. Portfolio, 1970-Eduardo Paolozzi

113. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019) by Derek Liddington 高清作品[27%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(I)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (I) (2019) | Available for Sale-Derek Liddington

114. 当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019) by Derek Liddington 高清作品[27%]

Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale

材质 :Oil on canvas 尺寸 :165.1 × 195.6 cm Painting

当我坐在山谷里,凝视着阴影,随着太阳节奏在树叶上翩翩起舞时,距离比例对我来说似乎都没有意义(II)(2019)-德里克·利丁顿(Canadian, b. 1981)

英文名称:Neither distance or scale seemed to make sense to me as I sat in the valley, staring at the shadows, as they danced along the foliage to the rhythm of the sun (II) (2019) | Available for Sale-Derek Liddington

115. 《紫色焦虑/威胁倍增花园》没有什么隐藏在它热量/指尖带宽需求/量子霸权模仿蜜蜂(2020年) by Kirill Savchenkov 高清作品[27%]

full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)

材质 :Mixed media sculpture 尺寸 :63 × 57 × 25 cm Sculpture

《紫色焦虑/威胁倍增花园》没有什么隐藏在它热量/指尖带宽需求/量子霸权模仿蜜蜂(2020年)-基里尔·萨夫琴科夫(Russian, b. 1987)

英文名称:full down garden of purple anxiety / threat multiplier nothing is hidden from its heat / bandwidth needs of fingertips / quantum supremacy mimics bees (2020)-Kirill Savchenkov

118. 安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义 by Michael van Ofen 高清作品[27%]

材质 :Oil on canvas 尺寸 :80 × 120 × 8 cm Painting

图片文件尺寸 : 5630 x 4332px

安东·v·沃纳(Anton v.Werner)于2013年在1892年修订壁画《柏林之光》(Der Kongress zu Berlin)最终版本中装潢政治权力意义-迈克尔·范奥芬(German, b. 1956)

英文名称:Dekor und Signifikant politischer Macht in der überarbeiteten Endfassung des Wandbildes \"Der Kongreß zu Berlin\", 1892 von Anton v. Werner, 2013-Michael van Ofen

120. 身体我灵魂(三联画)——印度艺术家关于爱尔兰堕胎权三幅油画(2019年) by Ritu Sinha 高清作品[27%]

My Body My Soul (Triptych) - Three Panel Painting by Indian Artist about Abortion Rights in Ireland (2019)

材质 :Acrylic color, watercolor pencil, golden paper and Crosia works on paper 尺寸 :228.6 × 160.02 cm Painting

身体我灵魂(三联画)——印度艺术家关于爱尔兰堕胎权三幅油画(2019年)-丽图·辛哈(Indian, b. 1976)

英文名称:My Body My Soul (Triptych) - Three Panel Painting by Indian Artist about Abortion Rights in Ireland (2019)-Ritu Sinha