图片文件尺寸: 3600 x 2426px
;来自波兰?描绘约翰三世国王索比斯基神化的构图草图-亨利克·西米拉兹基
~ Od Polek – szkic kompozycji przedstawiającej apoteozę króla Jana III Sobieskiego (1883) --Henryk Siemiradzki (波兰画家, 1843 – 1902)
材质 :Acrylic on mirror 尺寸 :206.1 × 148.3 × 0.5 cm Painting
回声描绘——威尔·赛尔夫(Will Self)在大雅茅斯(Great Yarmouth)的海滨画了一幅漫画艺术家的肖像,同时向我描述了三十年后世界将如何终结,2019年7月10日(2016年9月10日)-瑞安·甘德(British, b. 1976)
英文名称:Echo Portrayal - Will Self having his portrait drawn by a caricature artist on the sea front at Great Yarmouth whilst describing to me how the world will end in thirty years time, 16.09, July 10, 2019 (2019)-Ryan Gander
图片文件尺寸: 4550×5500 px
死亡的力量-威廉·霍尔布鲁克·比尔德
-Beard was active in Buffalo and in New York City, where he had a studio in the 1860s in the famous Tenth Street Building alongside painters including John La Farge. He specialized in animal paintings whose anthropomorphized subjects satirize human folly. Painted shortly before Beard’s death, this work is his most macabre. Death, an animated corpse wearing a shroud, grips a withered tree and strangles a tiger with his bare hand. The bodies of other exotic animals — a lion, a camel, and an elephant — are strewn around a dark and desiccated wilderness. A red sun gleams eerily on the horizon. Beard likely studied the animals in what began as a menagerie in New York’s Central Park, or in P. T. Barnum’s 美国艺术家 Museum on lower Broadway. He may have been inspired by notorious circus disasters of the time, including the death of Barnum’s prize elephant, Jumbo, who was struck by a train in 1885.
图片文件尺寸: 7076×9000 px
死亡的阴影-威廉·霍尔曼·亨特
-It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a \"shadow of death\" prefiguring the crucifixion. His mother Mary is depicted from behind, gazing up at the shadow, having been looking into a box in which she has kept the gifts given by the Magi.