111. 《白教堂女人》(The Whitechapel Woman)——格兰特利·迪克·里德(Grantly Dick Read)在《无惧分娩》(2017)中电影描述舞台照片 by Natalie Lennard 高清作品[31%]

材质 :Digital Print on Hahnemuhle Pearl Paper 尺寸 :24 × 31 in Photography

《白教堂女人》(The Whitechapel Woman)——格兰特利·迪克·里德(Grantly Dick Read)在《无惧分娩》(2017)中电影描述舞台照片-娜塔莉·伦纳德

英文名称:The Whitechapel Woman - Staged Photograph of Grantly Dick-Read\'s Cinematic Description in \\\"Childbirth Without Fear\\\" (2017) | Available for Sale-Natalie Lennard

116. 萨德侯爵三部戏剧。不幸错误——双胞胎还是一个艰难选择——坦克雷德,1969年。 by Salvador Dalí 高清作品[30%]

Three Plays by the Marquis de Sade. Misfortune\'s Mistake - The Twins or A Difficult Choice - Tancred, 1969.

材质 : Lithograph printed in colours

图片文件尺寸 : 4859 x 3695 px

萨德侯爵三部戏剧。不幸错误——双胞胎还是一个艰难选择——坦克雷德,1969年。-萨尔瓦多·达利

英文名称:Three Plays by the Marquis de Sade. Misfortune\'s Mistake - The Twins or A Difficult Choice - Tancred, 1969.-Salvador Dalí

117. 最后,每一天都是一样。唯一改变是我窗户后面灯光。每天都不一样。每天都很暖和。更明亮,2021 by Kristi Kongi 高清作品[30%]

By the end, every day was the same. The only thing that changed was the light behind my window. Each day, it was different. Each day, it was warmer. And brighter, 2021

材质 :Watercolour, gel pen on paper, wooden frame, glass 尺寸 :28 × 24 cm Painting

最后,每一天都是一样。唯一改变是我窗户后面灯光。每天都不一样。每天都很暖和。更明亮,2021-克里斯蒂·孔吉()

英文名称:By the end, every day was the same. The only thing that changed was the light behind my window. Each day, it was different. Each day, it was warmer. And brighter, 2021-Kristi Kongi

120. 奇基·班考库·三开·yochi zen Zuetsu地球萬國山海輿地全圖說 【全球无数国家综合地图和地理描述】。(约1780年代) by Sekisui NAGAKUBO 高清作品[30%]

Chikyū  bankoku sankai yochi zen zusetsu 地球萬國山海輿地全圖說 [Comprehensive Map and Description of the Geography of the Myriad Countries of the Globe]. (ca. 1780s)

材质 :Hand coloured woodblock print, folded into paper boards. 尺寸 :94 × 162 × 0.5 cm Print

奇基·班考库·三开·yochi zen Zuetsu地球萬國山海輿地全圖說 【全球无数国家综合地图和地理描述】。(约1780年代)-NAGAKUBO序列(Japanese, 1717–1801)

英文名称:Chikyū bankoku sankai yochi zen zusetsu 地球萬國山海輿地全圖說 [Comprehensive Map and Description of the Geography of the Myriad Countries of the Globe]. (ca. 1780s)-Sekisui NAGAKUBO