111. 德泽·沃尔特·洛夫最令人难忘的泽瓦尔登的演员,他与《甘茨彻世界之旅》中的达雷恩克勒万德合作。(阿姆斯特丹:雅各布·皮尔特斯·瓦赫特1634年1月F.斯塔姆) by Rembrandt van Rijn 高清作品[16%]

Der Zee-Vaert Lof, Handelende vande gedenckwaerdighste Zeevaerden met de Daeraenklevande op en Onderganghen der Voornaemste Heerschappijen der Gantscher Wereld. (Amsterdam: Jan F. Stam for Jacob Piertersz Wachter-1634.)

材质 : 尺寸 : Drawing, Collage or other Work on Paper

德泽·沃尔特·洛夫最令人难忘的泽瓦尔登的演员,他与《甘茨彻世界之旅》中的达雷恩克勒万德合作。(阿姆斯特丹:雅各布·皮尔特斯·瓦赫特1634年1月F.斯塔姆)-伦勃朗·范利恩(Dutch, 1606–1669)

英文名称:Der Zee-Vaert Lof, Handelende vande gedenckwaerdighste Zeevaerden met de Daeraenklevande op en Onderganghen der Voornaemste Heerschappijen der Gantscher Wereld. (Amsterdam: Jan F. Stam for Jacob Piertersz Wachter-1634.)-Rembrandt van Rijn

113. 你身体的所有细胞都相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年) by Rui Ferreira 高清作品[16%]

Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale

材质 :Acrylic and mixed media on canvas 尺寸 :200 × 160 cm Painting

你身体的所有细胞都相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年)-鲁伊·费雷拉(b. 1977)

英文名称:Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale-Rui Ferreira

114. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[16%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

115. 《白雪公主与七个小矮人》(1937年)原作,用于制作1940年代电影重映时的英国前台大厅卡 - 《白雪公主与七个小矮人》(1937)-原创-艺术作品-用于创建英国-前台-大厅-卡片-用于1940年代-重新发行-电影 高清作品[15%]

SNOW WHITE AND THE SEVEN DWARFS (1937) ORIGINAL ARTWORK USED TO CREATE THE BRITISH FRONT OF THE HOUSE LOBBY CARDS FOR THE 1940S RE-RELEASE OF THE FILM-SNOW-WHITE-AND-THE-SEVEN-DWARFS-(1937)-ORIGINAL-ARTWORK-USED-TO-CREATE-THE-BRITISH-FRONT-OF-THE-HOUSE-LOBBY-CARDS-FOR-THE-1940S-RE-RELEASE-OF-THE-FILM

SNOW WHITE AND THE SEVEN DWARFS (1937) ORIGINAL ARTWORK USED TO CREATE THE BRITISH FRONT OF THE HOUSE LOBBY CARDS FOR THE 1940S RE-RELEASE OF THE FILM-SNOW-WHITE-AND-THE-SEVEN-DWARFS-(1937)-ORIGINAL-ARTWORK-USED-TO-CREATE-THE-BRITISH-FRONT-OF-THE-HOUSE-LOBBY-CARDS-FOR-THE-1940S-RE-RELEASE-OF-THE-FILM
(《白雪公主与七个小矮人》(1937年)原作,用于制作1940年代电影重映时的英国前台大厅卡-《白雪公主与七个小矮人》(1937)-原创-艺术作品-用于创建英国-前台-大厅-卡片-用于1940年代-重新发行-电影)

116. 红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。(2021年) by Rose Marcus 高清作品[15%]

Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics.   (2021) | Available for Sale

材质 :Print on vinyl with no white ink adhered to architectural glass, brackets 尺寸 :182.9 × 121.9 cm Mixed Media

红色起源(2020年,作为她的艺术实践的延伸,马库斯接受了导乐培训——一个致力于在分娩、堕胎或流产之前、期间和之后提供支持的人——以便为有需要的妇女提供无偿服务。美国世界上唯一一个拥有大量孕产妇发病率统计数据的发达国家。(2021年)-罗斯·马库斯(American, b. 1982)

英文名称:Red Origin (In 2020, as an extension of her art practice, Marcus trained as a doula – a person dedicated to providing support before, during, and after childbirth, abortion, or miscarriage – in order to provide pro bono services to women in need. The United States is the only developed country in the world with significant maternal morbidity statistics. (2021) | Available for Sale-Rose Marcus

117. \\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交在太平洋的波涛中。(2018年) by Jamil Hellu 高清作品[14%]

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

\\卢克·安东尼说:“在澳大利亚长大的我真的感到与世界其他地方隔绝。从某种意义上说,当你同性恋时,会有一种双重隔绝的感觉。在澳大利亚海滩看到标志性的冲浪救生员,我第一次看到我能够性感化的男性身体图像之一。”,他们第一次性交在太平洋的波涛中。(2018年)-Jamil灯

英文名称:\\\"Growing up in Australia I really felt isolated from the rest of the world. In a sense, there\'s a feeling of double isolation when you\'re gay. The sight of the iconic surf lifesavers at Aussie beaches was one of the first images of the male body available to me that I was able to sexualize,\\\" says Luke Anthony, whose first sexual encounters were amongst the waves of the Pacific. (2018) | Available for Sale-Jamil Hellu

118. 雖然我看起來被遺留在那裡,事實上在你們死亡之後我持續的佔領整個世界,我向宇宙傳送我的訊息因為我你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰主人。 (2021) by Lin Chun-Pin 林俊彬 高清作品[14%]

雖然我看起來被遺留在那裡,事實上<em>是</em>在你們死亡之後我持續的佔領整個<em>世界</em>,我向宇宙傳送我的訊息<em>是</em>因為我<em>是</em>你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰<em>是</em>主人。 (2021)

材质 :鋼彈模特零件、綜合媒材、木板 GUNdam PLAstic Model、 Mixed Media on wood 尺寸 :142 × 240 × 30.5 cm Sculpture

雖然我看起來被遺留在那裡,事實上在你們死亡之後我持續的佔領整個世界,我向宇宙傳送我的訊息因為我你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰主人。 (2021)-Lin Chun-Pin 林俊彬

英文名称:雖然我看起來被遺留在那裡,事實上在你們死亡之後我持續的佔領整個世界,我向宇宙傳送我的訊息因為我你唯一可以被留下來的遺跡,我高掛在這裡,成為你潛意識裡的紀念碑,永遠暗示著你,誰主人。 (2021)-Lin Chun-Pin 林俊彬

119. 《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”) by Yamamoto Masao 高清作品[12%]

\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale

材质 :Gelatin silver print 尺寸 :25.1 × 32.8 cm Photography

《盆景——微观世界宏观世界》中的“4020”(《盆景——微观世界宏观世界》中的“4018”)-山本正雄

英文名称:\'4020\' from \'Bonsai – Microcosms Macrocosms\' (\'4018\' from \'Bonsai – Microcosms Macrocosms\') | Available for Sale-Yamamoto Masao