1144. 7_2 1.[睡莲][摘自:克劳德·莫内,《睡莲池》,94×89厘米,油画,1899年,奥赛博物馆。收录:地理纪元版,第22期,封面。](2021) by Jochen Plogsties 高清作品[19%]

7_21 [Seerosen] [Nach: Claude Monet, Der Seerosenteich, 94 × 89 cm, Öl auf Leinwand, 1899, Musée d’Orsay. In: Geo Epoche Edition, Nr. 22, Front Cover.] (2021)

材质 :Oil and egg tempera on linen 尺寸 :181 × 136 cm Painting

7_2 1.[睡莲][摘自:克劳德·莫内,《睡莲池》,94×89厘米,油画,1899年,奥赛博物馆。收录:地理纪元版,第22期,封面。](2021)-Jochen Plogsties

英文名称:7_21 [Seerosen] [Nach: Claude Monet, Der Seerosenteich, 94 × 89 cm, Öl auf Leinwand, 1899, Musée d’Orsay. In: Geo Epoche Edition, Nr. 22, Front Cover.] (2021)-Jochen Plogsties

1146. 热带地区:该死,性高潮奉献14(热带地区:该死,性高潮奉献14),2020年 by Rivane Neuenschwander 高清作品[19%]

Trópicos malditos, gozosos e devotos 14 (Tropics: Damned, Orgasmic and Devoted 14), 2020

材质 :Acrylic on wood panel 尺寸 :41.9 × 61 cm Painting

图片文件尺寸 : 5630 x 4332px

热带地区:该死,性高潮奉献14(热带地区:该死,性高潮奉献14),2020年-里瓦内·纽恩施瓦德(Brazilian, b. 1967)

英文名称:Trópicos malditos, gozosos e devotos 14 (Tropics: Damned, Orgasmic and Devoted 14), 2020-Rivane Neuenschwander

1150. 关于黄昏构成沉着,与新月或强直、阵挛其他在死前死后重复僵硬慢性倾向有关。,二千零二十一 by objet A.D 高清作品[19%]

On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021

材质 :Gesso, Charcoal, Oil, Oil-stick, and Oil-pastel on Hardboard 尺寸 :76.2 × 61 × 0.6 cm Painting

图片文件尺寸 : 5630 x 4332px

关于黄昏构成沉着,与新月或强直、阵挛其他在死前死后重复僵硬慢性倾向有关。,二千零二十一-目标A.D(b. 1993)

英文名称:On the Composition and Composure of the Crepuscular in Relation to the Presence of a Crescent—or, the Tonic, the Clonic, and Other Chronic Tendencies Toward Timing the Repetition of Rigor Between Pre- and Post- Mortem., 2021-objet A.D