Nus - recto Tête homme - verso-Pablo-Picasso
（裸体-双头D人-背面-毕加索）
1092.
公牛 - 在巴勃罗·毕加索之后 高清作品[23%]
Le Taureau-After-Pablo-Picasso
（公牛-在巴勃罗·毕加索之后）
1093.
毕加索夫人（2017） by Zafi 高清作品[23%]
材质 :Oil on canvas 尺寸 :155 × 125 × 5 cm Painting
毕加索夫人（2017）-扎菲
英文名称:Madame Picasso (2017) | Available for Sale-Zafi
1094.
塞韦拉克肖像画 - 毕加索 高清作品[23%]
Portrait de Déodat de Séverac-Pablo-Picasso
（塞韦拉克肖像画-毕加索）
1095.
裸体拉长胸围D；男人 - 毕加索 高清作品[23%]
Nu allongé et buste d;homme-Pablo-Picasso
（裸体拉长胸围D；男人-毕加索）
1096.
画家塞巴斯蒂安·朱延特 - 毕加索 高清作品[23%]
Le Peintre Sébastien Junyent-Pablo--Picasso
（画家塞巴斯蒂安·朱延特-毕加索）
1097.
1968年，理查德·塞拉（Richard Serra）于1969年4月4日至5月5日在惠特尼博物馆（Whitney Museum）的《当代美国雕塑：精选2》（the当代美国雕塑：精选2）中展出（灰尘图片） - 维克·穆尼兹 高清作品[23%]
After Richard Serra, Prop, 1968, Installed at the Whitney Museum in \"Contemporary American Sculpture: Selection 2,\" April 4-May 5, 1969 (Pictures of Dust)-VIK-MUNIZ
（1968年，理查德·塞拉（Richard Serra）于1969年4月4日至5月5日在惠特尼博物馆（Whitney Museum）的《当代美国雕塑：精选2》（the当代美国雕塑：精选2）中展出（灰尘图片）-维克·穆尼兹）
1098.
雕塑的寓言`The Allegory of Sculpture by Giovanni Battista Vanni 高清作品[23%]
图片文件尺寸: 4500×6616 px
雕塑的寓言-乔瓦尼·巴蒂斯塔·瓦尼
-The Allegory of Sculpture (Oil on Canvas), by Giovanni Battista Vanni
1099.
雕塑家奥古斯特·罗丁`Sculptor Auguste Rodin by James Tissot 高清作品[23%]
图片文件尺寸: 10000×5035 px
雕塑家奥古斯特·罗丁-詹姆斯·迪索
-Sculptor Auguste Rodin (Oil on Canvas), by James Tissot
1100.
《思想者》青铜雕塑`The Thinker, Bronze Sculpture by Auguste Rodin 高清作品[23%]
图片文件尺寸: 4552×5800 px
《思想者》青铜雕塑-奥古斯特·罗丁
-François Auguste René Rodin (1840–1917) was a 法国艺术家 sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, The Kiss, The Burghers of Calais, and The Gates of Hell.
Rodin originally conceived The Thinker as a depiction of the Italian poet Dante Alighieri (1265–1321) sitting in the upper center of a monumental sculptural doorway titled The Gates of Hell (below). Inspired by Dante’s description of a journey through the underworld in his epic poem The Divine Comedy (about 1320), The Thinker contemplates mankind’s fate while gazing at a host of damned figures writhing in anguish below. Stripped of clothing, the figure’s rippling muscles convey an inner, animating life force symbolic of mental activity or creative effort. The figure leans forward, as if ready to spring from his perch, yet seems simultaneously caught in the inaction of deep thought. Rodin produced independent versions of The Thinker, first in this original size and later in a monumental version.
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