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沐浴者整理她的头发，1885年-皮埃尔·奥古斯特·雷诺阿

-Bather Arranging Her Hair, 1885 (Oil on Canvas), by Pierre-Auguste Renoir

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埃特雷塔海滩上的船只，1885年-克劳德·莫内

-Boats on the Beach at Etretat, 1885 (Oil on Canvas), by Claude Monet

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农妇挖掘的小屋，约1885年-文森特·梵高

-Cottage with Peasant Woman Digging, c. 1885 (Oil on Canvas), by Vincent van Gogh

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丘比特的狩猎场，1885年-爱德华·伯恩·琼斯

-Cupid\'s Hunting Fields, 1885 (Oil on Canvas), by Edward Burne-Jones

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卡尔·斯皮茨韦格（1808-1885），继任者19岁/20世纪圣诞拍卖会-

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沐浴者在岩石角的泉水旁，隐约地在底部中间签名：M。。。慕尼黑英格尔，木上涂油，约28.5 x 29.5 x 29.5厘米，边缘有颜色缺陷，上釉，镀金灰泥框架，这是一个损坏的声誉

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布洛涅大道上的女人，1885年-丹尼尔·埃尔南德斯

-Woman in the Bois de Boulogne, 1885 (Oil on Canvas), by Daniel Hernandez

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洗完澡，女人在擦干自己，1885年-埃德加·德加

-After the Bath, Woman Drying Herself, 1885 (Pastel), by Edgar Degas

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殉道者还是紫罗兰商人，1885年-佩雷斯·费尔南多

-A Martyr or The Violette Merchant, 1885 (Oil on Canvas), by Pelez Fernand

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自画像为奇美拉，1875-1885年-莎拉·伯恩哈特

-French actor and artist Sarah Bernhardt was perhaps the first global superstar, with legions of admirers spread across Britain, continental Europe, North and South America, and as far afield as Australia. In this fantastical bronze inkwell, she portrayed herself as a chimera, a mythological creature composed of disparate body parts. Here, Bernhardt joined her human torso and head to clawed haunches, bat wings, and a dragon-like tail. The work is a key example of her inspired use of visual media to fashion and promote her own image.