材质 :Oak gall ink, pastel, and pencil over sanguine ink etching on velin arches cream paper. 尺寸 :20 × 28 cm Print
僵硬的脖子是最野蛮的野兽，有时它们会转头寻求解脱或反抗（《伤疤与条纹的故事》（2021）-詹姆斯·罗杰斯(British, b. 1993)
英文名称:Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes) (2021) | Available for Sale-James Rogers
材质 :Oil and acrylic on canvas 尺寸 :157.5 × 106.7 × 5.1 cm Painting
神秘的神社野兽，神社地带的外福，用她的赫迪·古迪（2020）守护着零时间之门-安德鲁·保罗·伍尔布赖特
英文名称:The enigmatic Shrinebeast, the shrinezone waifu, guards the zerotime portal with her hurdy gurdy (2020)-Andrew Paul Woolbright
图片文件尺寸: 4000 x 2765px
但丁逃离野兽，遇到了维吉尔-巴托洛梅奥半夏
~ Dante Flees the Wild Beasts and Meets Virgil (1824) --Bartolomeo Pinelli (Italian, 1781-1835)
材质 :Screenprint 尺寸 :21.6 × 27.9 cm Print
来自博物馆文化的博物馆游客的野兽，一个由八张版画组成的作品集（2020年）-马克·迪昂(American, b. 1961)
英文名称:The Bestiary of Museum Visitors from Museum Culture, a portfolio of eight screenprints (2020)-Mark Dion
图片文件尺寸: 5800×3990 px
《野兽与假先知的毁灭》，1804年-本杰明·韦斯特
-Destruction of the Beast and the False Prophet, 1804 (Oil on Canvas), by Benjamin West
图片文件尺寸: 3841×4300 px
1805年的《红龙与野兽》-威廉·布莱克
-The Great Red Dragon and the Beast from the Sea, 1805 (Watercolor), by William Blake
Property from an Important Private Collection
Marino Marini
1901 – 1980
Cavallo su sfondo blu (Horse on Blue Background)
signed MARINO and dated 1953 (lower left)
gouache and sgraffito on paper
62.4 by 43.2cm., 24⅝ by 17in.
Framed: 95 by 75.5cm., 37⅜ by 29¾in.
Executed in 1953.
The Marino Marini Foundation has confirmed the authenticity of this work.
Cavallo su sfondo blu (Horse on Blue Background)-Marino-Marini
（蓝色背景上的马（蓝色背景上的马）-马里尼）
图片文件尺寸: 3841×4300 px
伟大的红龙和来自大海的野兽-威廉·布莱克
-The Great Red Dragon and the Beast from the Sea (Watercolor), by William Blake
Cavallo su sfondo blu (Horse on Blue Background)-Marino-Marini
（蓝色背景上的马（蓝色背景上的马）-马里诺·马里尼）
图片文件尺寸: 2770 x 2767px
两个野兽和一个人类面具围成一个圈-盖塔诺·皮奇尼
~ Two Beasts and a Human Mask within a Circle (1727) --Gaetano Piccini (Italian, active 1710-1730)