101. 萨洛蒙·格斯纳(Salomon Gessner)的田园诗《第一航海家》(The First Navigator)中的一个场景梅利达(Melida),` Melida, a scene from Salomon Gessner’s idyll ‘The First Navigator’, by Heinrich Friedrich Füger 高清作品[20%]

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Melida, a scene from Salomon Gessner’s idyll ‘The First Navigator’,-

图片文件尺寸: 2958 x 4143px

萨洛蒙·格斯纳(Salomon Gessner)的田园诗《第一航海家》(The First Navigator)中的一个场景梅利达(Melida),-海因里希·弗里德里希·弗格

` Melida, a scene from Salomon Gessner’s idyll ‘The First Navigator’,--Heinrich Friedrich Füger (德国艺术家, 1751-1818)

102. 弗朗西斯·巴塞特(Francis Basset)的肖像,后来邓斯坦维尔第一男爵(Baron De Dunstanville)和巴塞特(Basset)(1757-1835)` Portrait Of Francis Basset, Later 1st Baron De Dunstanville And Basset (1757~1835) by Sir Joshua Reynolds 高清作品[20%]

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Portrait Of Francis Basset, Later 1st Baron De Dunstanville And Basset (1757~1835)-

图片文件尺寸: 3403 x 4256px

弗朗西斯·巴塞特(Francis Basset)的肖像,后来邓斯坦维尔第一男爵(Baron De Dunstanville)和巴塞特(Basset)(1757-1835)-雷诺兹

~ Portrait Of Francis Basset, Later 1st Baron De Dunstanville And Basset (1757~1835)--Sir Joshua Reynolds (English, 1723 - 1792)

103. 你身体的所有细胞都相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年) by Rui Ferreira 高清作品[20%]

Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale

材质 :Acrylic and mixed media on canvas 尺寸 :200 × 160 cm Painting

你身体的所有细胞都相互依存的。在一场家庭表演中,你呼出的每一个呼气都或多或少地与世界上的一切有着突然的联系。那么你的独特观点在哪里,你的独立身份在哪里?(2018年)-鲁伊·费雷拉(b. 1977)

英文名称:Todas as Células do Teu Corpo São Interdependentes de Tudo o que Existe. Numa Performance Doméstica Cada Expiração Que Exalas Tem Uma Relação Mais ou Menos Súbtil Com Tudo o que Existe em Todos os Mundos. Então Onde Está o Teu Ponto de Vista Único, Onde Está a Tua Identidade Separada? (2018) | Available for Sale-Rui Ferreira

105. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[20%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛的马匹世界如此可怕的性别歧视;女孩和女人通常只被视为性对象,而不天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)的故事。在淘金热期间,帕克赫斯特一名著名的驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu