101. 托斯卡纳新古典主义康茂迪尼(COMMODINI,可能锡耶内斯语,约1790年)一对特殊组合 by Italian, 18th Century 高清作品[26%]

AN EXCEPTIONAL PAIR OF TUSCAN NEO-CLASSICAL COMMODINI, PROBABLY SIENESE (ca. 1790)

材质 :Cherry, boxwood, burr-elm, Portor marble 尺寸 :83.8 × 61 × 36.8 cm Design\\\\u002FDecorative Art

托斯卡纳新古典主义康茂迪尼(COMMODINI,可能锡耶内斯语,约1790年)一对特殊组合-意大利,18世纪

英文名称:AN EXCEPTIONAL PAIR OF TUSCAN NEO-CLASSICAL COMMODINI, PROBABLY SIENESE (ca. 1790)-Italian, 18th Century

103. 一个独特托斯卡纳新古典主义马桶,可能锡耶纳式,带有原装波尔图大理石台面(约1790年) by Italian, 18th Century 高清作品[25%]

AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)

材质 :Cherry, boxwood, lemonwood, Portor marble 尺寸 :96.5 × 147.3 × 62.2 cm Design\\\\u002FDecorative Art

一个独特托斯卡纳新古典主义马桶,可能锡耶纳式,带有原装波尔图大理石台面(约1790年)-意大利,18世纪

英文名称:AN EXCEPTIONAL TUSCAN NEO-CLASSICAL COMMODE, PROBABLY SIENESE, WITH ORIGINAL PORTOR MARBLE TOP (ca. 1790)-Italian, 18th Century

105. 佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛马匹世界如此可怕性别歧视;女孩和女人通常只被视为性对象,而不天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年) by Jamil Hellu 高清作品[25%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼(Penelope Whitney)回忆道:“我从小在加利福尼亚州中部骑马和比赛马匹世界如此可怕性别歧视;女孩和女人通常只被视为性对象,而不天才骑手和训练员。”惠特尼灵感来自查理·帕克赫斯特(Charley Parkhurst,又名独眼查理)故事。在淘金热期间,帕克赫斯特一名著名驿站马车司机,他去世后,人们发现帕克赫斯特在生物学上女性。(2018年)-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

106. 德泽·沃尔特·洛夫令人难忘泽瓦尔登演员,他与《甘茨彻世界之旅》中达雷恩克勒万德合作。(阿姆斯特丹:雅各布·皮尔特斯·瓦赫特1634年1月F.斯塔姆) by Rembrandt van Rijn 高清作品[25%]

Der Zee-Vaert Lof, Handelende vande gedenckwaerdighste Zeevaerden met de Daeraenklevande op en Onderganghen der Voornaemste Heerschappijen der Gantscher Wereld. (Amsterdam: Jan F. Stam for Jacob Piertersz Wachter-1634.)

材质 : 尺寸 : Drawing, Collage or other Work on Paper

德泽·沃尔特·洛夫令人难忘泽瓦尔登演员,他与《甘茨彻世界之旅》中达雷恩克勒万德合作。(阿姆斯特丹:雅各布·皮尔特斯·瓦赫特1634年1月F.斯塔姆)-伦勃朗·范利恩(Dutch, 1606–1669)

英文名称:Der Zee-Vaert Lof, Handelende vande gedenckwaerdighste Zeevaerden met de Daeraenklevande op en Onderganghen der Voornaemste Heerschappijen der Gantscher Wereld. (Amsterdam: Jan F. Stam for Jacob Piertersz Wachter-1634.)-Rembrandt van Rijn

109. 罗马竞技场和其他罗马纪念碑古典景观;一幅古典风景画,人物在湖前休息,远处一座城堡 - 简-弗兰斯-范-弗劳尔斯-叫奥里佐特 高清作品[25%]

A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond

  • Jan Frans van Bloemen, called l;Orizzonte
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond
  • A classical landscape with the Colosseum and other Roman monuments;A classical landscape with figures resting before a lake, a castle beyond-JAN-FRANS-VAN-BLOEMEN,-CALLED-L\'ORIZZONTE
    (罗马竞技场和其他罗马纪念碑古典景观;一幅古典风景画,人物在湖前休息,远处一座城堡-简-弗兰斯-范-弗劳尔斯-叫奥里佐特)