101. 《停止交通》,乔安娜·麦考密克、珍妮特·兰迪、贝齐·皮克林和格雷琴·哈里斯,加利福尼亚州,1958年 by William Helburn 高清作品[16%]

Stopping Traffic, Joanna McCormick, Janet Randy, Betsy Pickering and Gretchen Harris, ca. 1958

材质 :Silver Gelatin Print 尺寸 :11 × 14 in Photography

图片文件尺寸 : 5630 x 4332px

《停止交通》,乔安娜·麦考密克、珍妮特·兰迪、贝齐·皮克林和格雷琴·哈里斯,加利福尼亚州,1958年-威廉·赫尔本(American)

英文名称:Stopping Traffic, Joanna McCormick, Janet Randy, Betsy Pickering and Gretchen Harris, ca. 1958-William Helburn

102. 滑稽宴会,1550年`Burlesque Feast, 1550 by Jan Mandijn 高清作品[16%]

AF-Burlesque Feast, 1550

图片文件尺寸 : 6600×4444 px

滑稽宴会,1550年-Jan Mandijn

-Jan Mandijn or Jan Mandyn (1500-1560) was a Dutch Renaissance painter, who worked in Antwerp after 1530.

This motley banquet is a satirical depiction of a peasant wedding to which a number of guests have been invited, all equally bizarre and absurd. The scene, packed with anecdotes and symbols, unfolds in an interior in which the guests, following mediaeval custom, are seated at one side only of the tables, according to their rank. The main character is a stout and slovenly bride wearing a crown of wooden spoons, the symbol of gluttony, and eggshells, the symbol of crassitude and lechery. Behind her a red drapery is vaulted like a baldachin on which rests a crown of laurel, both of which were customary elements in Flemish peasant weddings of the 16th and 17th centuries, while the rattle hanging from the crown of laurel is another reference to foolishness.

Burlesque Feast, 1550 (Oil on Canvas), by Jan Mandijn