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广告艺术。德国联邦德国博物馆的法兰克福a.M.和奥芬巴赫本地团体Gebrauchsgrafiker e.V.在德国格沃贝博物馆展出。5月至5日。六月-鲁道夫·科赫
~ Werbekunst. Ausstellung der Ortsgruppe Frankfurt a.M. und Offenbach des Bundes deutscher Gebrauchsgraphiker e.V. im Gewerbemuseum von 8. Mai – 5. Juni (circa 1920) --Rudolf Koch (德国艺术家, 1876-1934)
材质 :Color ink wash 尺寸 :Paula Cooper Gallery Installation
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墙壁图纸#701：墙壁用12英寸（30厘米）的带子垂直分为两个相等的部分。在每个部分中，叠加了彩色墨水洗涤的对角左或右条纹，首先绘制者：Manfredo de Souzanetto，Jo Watanabe；第一套装置：里约热内卢国家艺术博物馆；1992年6月-索尔·莱维特(American, 1928–2007)
英文名称:Wall Drawing #701: The wall is bordered and divided vertically into two equal parts by 12-inch (30 cm) bands. Within each part, diagonal left or right bands with color ink washes superimposed, First drawn by: Manfredo de Souzanetto, Jo Watanabe; First installation: Museu Nacional de Belas Artes, Rio de Janeiro; June 1992-Sol LeWitt
材质 : 尺寸 : Video\\\\u002FFilm\\\\u002FAnimation
德米特里·普里戈夫（Dmitri Prigov）、伊利亚·卡巴科夫（Ilya Kabakov）和安德烈·埃罗菲夫（Andrei Erofeev）出席了苏联及其他地区的奥运会开幕式。77位俄罗斯艺术家。1970年至1990年，阿姆斯特丹斯特德利克博物馆，1990年9月22日（1990年）-瓦迪姆·扎哈罗夫(Russian, b. 1959)
英文名称:Dmitri Prigov, Ilya Kabakov, and Andrei Erofeev at the opening of In the USSR and Beyond. Seventy-Seven Russian Artists. 1970–1990 at Stedelijk Museum in Amsterdam, September 22, 1990 (1990)-Vadim Zakharov
材质 :Acrylic and ink on paper 尺寸 :63.5 × 96.5 cm Painting
《大门口》（2018）-大卫·斯特恩(b. 1956)
英文名称:At the Gates (2018)-David Stern
Jorgen Gammelgaard Folding stool of steel with yellow nylon seat, 1970 L: 57 cm, H: 40 cm, W: 46 cm Producer: Strutture d\'Interni of Bologna, Italy, under license from Design Forum A/S, Denmark Purchased by Det danske Kunstindustrimuseum 1970 Mus. no. 63/1970 Douglas M. Parker Studio Michael Asher, \"July 18 - October 16, 1976, Ambiente arte, dal futurismo ad oggi, Venice Biennale, Venice, Italy,\" in Benjamin H.D. Buchloh (ed.), Michael Asher, Writings 1973-1983 on Works 1969-1979 (Los Angeles and Halifax: The Museum of Contemporary Art and Press of the Nova Scotia College of Art and Design, 1983): 138-145. Los Angeles, California October 12, 1998 (No. 8), 1998-CHRISTOPHER-WILLIAMS
（Jorgen Gammelgaard钢制折叠凳，带黄色尼龙座椅，1970年长：57厘米，高：40厘米，宽：46厘米生产商：意大利博洛尼亚的Strutture d’Interni，获得丹麦设计论坛A/S的许可证，由Det danske Kunstindustrimuseum于1970年购买。第63/1970号道格拉斯·M·帕克工作室迈克尔·阿舍，“1976年7月18日至10月16日，意大利威尼斯威尼斯双年展未来学家奥吉·阿尔特（Ambiente arte），本杰明·H·D·布赫勒（编辑），迈克尔·阿舍，1973-1983年关于1969-1979年作品的著作（洛杉矶和哈利法克斯：新斯科舍艺术与设计学院当代艺术博物馆和出版社，1983年）：138-145。加利福尼亚州洛杉矶1998年10月12日（第8号）-克里斯托弗·威廉姆斯）
Theaster Gates-Theaster-Gates
（剧院大门-剧院大门）
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大门
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The Kitchen Doorway-CARL-HOLSØE
（厨房门口-卡尔·霍尔斯）
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海边门口-Seaside Doorway
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大门房-house Du Portail
-The Pearl S. Buck House at Green Hills Farm, an example of 19th century (built 1825[4]) Pennsylvanian architecture, is constructed of coursed fieldstone. It is four bays wide and two deep with the main entrance located in the second bay. Two gable dormers are located on the front and rear slope of the roof. Chimneys are located on each gable end. When Buck purchased the farmstead, she made extensive alterations and additions to the 19th century farmhouse, including a two-story fieldstone wing added to the east gable and two libraries. Today, visitors can tour twelve rooms of the home and visit the pre-Revolutionary War cottage on the property and the barn built in 1827.
In the large library, two Pennsylvania jugs serve as lamp bases upon a hand carved Chinese hardwood desk, at which Buck wrote her breakthrough novel The Good Earth. Buck filled her home with works of original art by Chen Chi and Freeman Elliot[citation needed], iron works of art produced by exiled artisans in China, Peking Fetti carpets that survived revolutions in China, and some of her own sculptures